🌰 1967.
❦ Monterey, Rehearsals for the show, Jimi attends the performance of Ravi Shankar (see photos)
🌰 1968.
❦ Record Plant, New York City, New York, USA
❀ Gypsy Eyes
Musicians/Engineers: Jimi Hendrix, Mitch Mitchell, Noel Redding, Eddie Kramer
Mixing for Gypsy Eyes took up the majority of this session along with Jimi and Eddie experimenting with 3-D planning and phasing effects.
🌰 1969.
❦ No News...
🌰 1970.
❦ Electric Lady Studios, New York City, New York, USA
❀ Straight Ahead ❀ Astro Man ❀ Drifter's Escape
Musicians/Engineers: Jimi Hendrix, Mitch Mitchell, Billy Cox, Eddie Kramer
Returning once again to Electric Lady, Hendrix enthusiastically kicked off the session right where the prior night’s left off. In visiting “Straight Ahead” Hendrix, Billy Cox, and Mitch Mitchell concentrated on forming a new master take of the song. The trio then moves to recordings for “Astro Man.” Feeling playful, Jimi brings the session to a quick halt before yelling for tape machine to start recording. Assured that the tapes are rolling Jimi breaks into a high octave vocal take of “Drifter’s Escape.”
❦ Monterey, Rehearsals for the show, Jimi attends the performance of Ravi Shankar (see photos)
🌰 1968.
❦ Record Plant, New York City, New York, USA
❀ Gypsy Eyes
Musicians/Engineers: Jimi Hendrix, Mitch Mitchell, Noel Redding, Eddie Kramer
Mixing for Gypsy Eyes took up the majority of this session along with Jimi and Eddie experimenting with 3-D planning and phasing effects.
🌰 1969.
❦ No News...
🌰 1970.
❦ Electric Lady Studios, New York City, New York, USA
❀ Straight Ahead ❀ Astro Man ❀ Drifter's Escape
Musicians/Engineers: Jimi Hendrix, Mitch Mitchell, Billy Cox, Eddie Kramer
Returning once again to Electric Lady, Hendrix enthusiastically kicked off the session right where the prior night’s left off. In visiting “Straight Ahead” Hendrix, Billy Cox, and Mitch Mitchell concentrated on forming a new master take of the song. The trio then moves to recordings for “Astro Man.” Feeling playful, Jimi brings the session to a quick halt before yelling for tape machine to start recording. Assured that the tapes are rolling Jimi breaks into a high octave vocal take of “Drifter’s Escape.”
