tag:blogger.com,1999:blog-20501656281837788712024-02-20T09:06:54.528+02:00Lost In PaliGapMove over Rover.. and let Jimi take over.. 🎵🎸🎶Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.comBlogger365125tag:blogger.com,1999:blog-2050165628183778871.post-1875805552134977972023-01-31T15:02:00.000+02:002023-02-10T22:05:45.535+02:00🌴 January, 31<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1956.</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🚐 Born on this day: Johnny Rotten (John Lydon).</span><br />
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1967.</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🚐 Saville Theatre, London. JHE</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Noel is using Chas’ 4-string Gibson EB2 bass. </span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">JHE promotional film session until 17:30.</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">The Experience return to the Saville Theatre with filmmaker Peter Clifton to film additional footage of The Experience performing “Hey Joe”. This color film footage is later interspersed with the black & white footage shot during The Experience’s live concerts from January 29th and included in Clifton’s films Superstars In Concert and Popcorn, plus mixed together with a studio recording of “Hey Joe” for the song’s promotional music video.</span><br />
<a class="ot-anchor aaTEdf" dir="ltr" href="https://youtu.be/rXwMrBb2x1Q" jslog="10929; track:click" rel="nofollow" style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #2962ff; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; text-decoration: none; white-space: pre-wrap;" target="_blank">https://youtu.be/rXwMrBb2x1Q</a><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1968.</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🚐 Neville Chesters flies to Fender Factory, Orange County, to pick up Fender equipment for the upcoming US tour.</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🚐 Unknown auction catalogue: “The date was January 31st, and the Experience had arrived in New York City from Paris a day prior for a press reception at the Copter Lounge atop the PanAm building before heading to San Francisco to begin a three-month North American tour. The band was ensconced at the Wellington Hotel near Carnegie Hall."</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🚐 The JHE returned to America on January 30, 1968, and a press conference was set up the following day in Manhattan. Several journalists were there to interview the group, including </span><b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">Jay Ruby</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">, who was an assistant professor of anthropology at Philadelphia’s Temple University.</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">The Copter Club: The Pan Am Building, New York City.</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">Interview by Jay Ruby| From the original press-conference recording, January 31, 1968, and JAZZ & POP, July 1968.</b><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">Jay Ruby (JR)</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: What's the musical scene like in England? Is it different from here?</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Well, yes, it is. It's a little more together as far as the musicians are concerned. They all know each other and they get a small place and everybody congregates around London. It's not that much different really. They have their own scene and we've got our own scene over here. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: You like it better over here?</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: As a musician, not necessarily. I like to jam a lot and they don't do that much over there. I like to play with other cats, but you just can't do that over there sometimes. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: For what you are trying to do with your music, do you feel that the trio form is best? </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: We set out to be a trio; that's the reason we are like this. We tried the organ for about fifteen minutes and it didn't work out. It made us sound like just anybody. But it isn't ideal that it's a trio. It just happened like that. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Are you really into the destruct thing?</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Not basically. There are times when we do it; but we play millions and millions of gigs, and when we do this destruction maybe three or four times, it's because we feel like it. It might have been because we had some personal problems. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: So when you do it, it's because you're mad?</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Yes. Maybe we might be worked up or something, you know. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: How does it feel?</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Oh, this is the feeling like ... you feel very frustrated and the music gets louder and louder and you start thinking about different things, and all of a sudden, crash, bang. Eventually it goes up in smoke. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Do you think about it ahead of time?</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: No. You couldn't get that together. We did it once before and somebody said, 'That's great, why don't you plan it out.' Plan what out? It just happens, that's all.</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Whom do you admire most as a guitarist? Who's doing things that you like now? </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Well, it's very hard to say. But as far as the blues scene goes, some of the things that Albert King and Eric Clapton do are very good. I don't have any favorites. It's very hard because there are so many different styles and it's so bad to put everybody in the same bag. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Whom do you listen to?</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: I like to listen to anybody as long as they don't bore me. I tend toward the blues as fat as guitar players are concerned. The music itself... I like things from Roland Kirk and the Mothers. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: A lot of people compare you to Clapton.</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: That's one thing I don't like. First of all they do that, and then they say, 'O.K. now, blues first of all,' and we just say,' We don't want to play blues all the time.' We just don't feel like it all the time. We want to do other things, do nice songs or different things. But, like, the blues is what we're supposed to dig. But, you see, there are other things we can play too. And we just don't think alike... sometimes the notes might sound like it, but it's a completely different scene between those notes. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">MITCH</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: When we first started, Jimi was very much influenced by people like Dylan, and I wasn't into that scene at all. Now Jimi's gotten turned on to people like Mingus and Roland Kirk. We just learn from each other, balance each other. It's a lot better. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: And enjoy each other, right, and have the whole thing happen.</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Right. You should hear him get together on drums; that's another thing that makes me mad, too. All three of us, we all have our own little scene as far as music goes. Noel likes nice gutsy rock, and he plays guitar. He's been playing bass only since he's been with us. And Mitch plays a whole lot of drums and yet people get stuck on one thing. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Some people have difficulty making the transition from concerts to records. You have not. Do you see yourselves as primarily a live or a studio group? </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Either you can dig it as a record or in person. Like some want to hear one thing when you make a record you put a certain sound in the record or a certain little freaky thing like the sound of raindrops reversed and echoed and phased and all that. It's because you are trying to emphasize a certain point in the record. So people already have this in their minds when they go to see you, and they expect to hear that. But the main thing is the words, and they can feel the other thing and not necessarily hear it. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: The thing that turns me on way everything changes so fast. For instance, what you did on your first album is different from what you did on the second. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Yes, we noticed that after we listened to it. We were really deep into making our second LP. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: This is not conscious, you're not aware of the fact?</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: No, not at all. We try to make a change. You fix your life and say, 'Well, we're going to do this next time.' We get ideas-groovy ideas, you know. Everything's a very natural progression. I don't know-I might not be here tomorrow, so I'm doing what I'm doing now. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: This is very different from what music has been before. No music has ever changed as fast as this has. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Well, I know what you mean, like the Chuck Berry scene. I'd feel guilty if we did something like that-using the same background with every single song and only different words. That shows that you're going in the word scene. It's like anybody whose hungry-that's young and wants to get into music-anybody like that has got to go into so many different bags. They have got so much to be influenced by, so many different things in the world.</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Is it just being young? </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Not necessarily, no. I mean 'young' being ideas, being hungry ... not necessarily being hungry for food. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: So maybe it's always going to change?</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Well, maybe. Maybe we'll settle down. There are some things ... but some things are just too personal. They might catch up to us later. Everyone starts talking about that-they have to pick on something, and they say, 'Instead of using guitar, bass, and drums, they're getting tiresome.' Dig Bob Dylan. He's been in this business for ages and he's really out of sight because there's a lot of personal things. You just don't want to put a lot of junk on top of it, like violins for certain numbers, unless it calls for it. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: When you record, who does the effects? </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: All those things are our own mind ... all those things are coming out of us. ... We do a lot of things. Like, on the last track of the last LP (Axis: Bold As Love), it's called phasing. It makes it sound like planes going through your membranes and chromosomes. A cat got that together accidentally and he turned us onto it. That's the sound we wanted, it was a special sound, and we didn't want to use tapes of airplanes, we wanted to have the music itself warped. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: When you put a song together for a recording session, what do you do? Do you play first and then put the sounds in or do you put them together at the same time? </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Well, it depends. Sometimes we play through Leslie speakers and then sometimes we might put it on afterward as we play. A lot of times we record the three of us as one instrument and then build around that. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: You don't do an arrangement ahead of time?</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Oh Yes. We have ideas in our minds and then we'll add to them.</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Let’s get back to the blues for a minute. How do you define it?</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: You can have your own blues. It doesn't necessarily mean that folk blues is the only type of blues in the world. I heard some Irish folk songs that were so funky-the words were so together and the feel. That was a great scene. We do this blues one on the last track of the LP (Axis: Bold as Love), on the first side. It's called 'If 6 Was 9.' That's what you call a great feeling of blues. We don't even try to give it a name. Everybody has some kind of blues to offer, you know. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: What about the white/black scene? Is white blues really blues? </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Well I'll tell you. The Bloomfield band is ridiculously out of sight and you can feel what they're doing no matter what color the eyes or armpits might be...Because I can really feel it, I want it. I say, O.K. they've got this white cat down in the Village playing harmonica, really funky. So we all go down to the Village and then, wow, he turned me onto so much, I said, "Look at that." He was really deep into it and nobody could touch him there because he was in his own little scene. He so happy. I don't care like I said before, it all depends on how your ears are together and how your mind is and where your ears are. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: They say that in England, it's a whole different thing. They don't make a distinction. It's sound and it doesn't matter what color you are, you're playing. We've still got that hang-up here.</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: It isn't really a hang-up because that's human being dumb sighted anyway, you know. That's natural, just like being in a fight, nobody can go out on the street with this little boy. America's little boy. Countries to me are just like little kids, playing with different toys. But all these countries will soon grow up. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Let's talk about jazz.</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Charlie Mingus and he (Noel Redding) care of the rest.</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JR</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: How about Coltrane?</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">NOEL</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: Oh yes, he's great. There are so many cats, they've got their own little scenes. Mitch digs Elvin Jones a lot, and there's Charlie Williams and the structure of Richard Davis. I like Coltrane as well. But Kirk is nearer to what I actually like. It's very comparable to Jimi. A lot of people call Jimi a joker for using electronic effects. Well, Kirk is a joker when he plays two horns, not that I really mean that. There are only two kinds of music-good and bad-regardless of what you play or what sort of bag you might be in. We haven't even started yet. He hasn't even started yet-Roland Kirk. You can hear so much for the future. You can hear some of the things he's going into-not necessarily about notes, but you can hear the feelings. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">MITCH</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: It's people like Kirk who are cutting down snobbery, because in every kind of music, even in rock "n' roll, it exists. Where people just can't see anything outside. It's like certain jazz musicians I met in London recently who just don't want to know anything else apart from maybe Sun Ra, and it's a bad scene. If you can't sit outside your music-outside one particular scene, man, you need something done to your head. </span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">JIMI</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: There's so much happening, especially if you have an open mind for music, because, as we all know, music is an art.</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;"><br /></span>
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0Athens, Greece37.9838096 23.72753880000004837.8836966 23.566177300000046 38.0839226 23.888900300000049tag:blogger.com,1999:blog-2050165628183778871.post-10185275434283194892023-01-30T15:02:00.000+02:002023-02-10T22:06:18.419+02:00🚗 January, 30<div dir="ltr" style="text-align: left;" trbidi="on">
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;"><br /></span>
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1967.</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">📟 The Jimi Hendrix Experience make a live appearance on the radio program Pop North on the BBC Light program. Unfortunately, with the show being aired live, the BBC did not record or preserve the performances. </span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Set List: Hey Joe // Rock Me Baby // Foxey Lady</span><br />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">Noel</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: "Terrible sound"</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<a class="ot-anchor aaTEdf" dir="ltr" href="https://youtu.be/RFQtV5kHWfs" jslog="10929; track:click" rel="nofollow" style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #2962ff; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; text-decoration: none; white-space: pre-wrap;" target="_blank">https://youtu.be/RFQtV5kHWfs</a><br />
<a class="ot-anchor aaTEdf" dir="ltr" href="https://youtu.be/jQNjBqolIus" jslog="10929; track:click" rel="nofollow" style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #2962ff; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; text-decoration: none; white-space: pre-wrap;" target="_blank">https://youtu.be/jQNjBqolIus</a><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1968.</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">📟 The Experience fly to New York, where they hold a news conference at the Pan Am Building’s Copter Club. Hendrix is interviewed by Jay Ruby for Jazz and Pop (July 1968); Michael Rosenbaum for Crawdaddy (May 1968); Don Paulsen for Hit Parader (July 1968); Al Aronowitz for the New York Post (February 2); and Life magazine (April 1).</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">'The British Are Coming'</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;"> was a multi band press conference, held at The Copter Cub at the top of the Pan Am Building. </span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Bands: The Jimi Hendrix Experience, the Byrds, the Soft Machine, the Alan Price Set and others.</span><br />
<a class="ot-anchor aaTEdf" dir="ltr" href="https://goo.gl/photos/mcCrhWfZMvWTG2hCA" jslog="10929; track:click" rel="nofollow" style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #2962ff; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; text-decoration: none; white-space: pre-wrap;" target="_blank">https://goo.gl/photos/mcCrhWfZMvWTG2hCA</a><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1969.</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">📟 New York City, NY.</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Jimi flew back to his hometown, New York City, where he will produce four tracks for the Buddy Miles Express LP ‘Electric Church’ (Miss Lady, ’69 Freedom Special, Destructive Love and My Chant) at Mercury Sound Studios. The session notes are apparently lost, so exact dates cannot be given, but between 30 Jan & 12 Feb.</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1982.</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">📟 Gone to Rock ‘n’ Roll Heaven: Sam Lightnin' Hopkins. Influenced Bob Dylan, Stevie Ray Vaughan and Jimi Hendrix. </span><br />
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-38907752506577403482023-01-29T11:58:00.000+02:002023-02-10T22:07:24.309+02:00💫 January, 29<div dir="ltr" style="text-align: left;" trbidi="on">
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1967.</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">💢 London, "Saville Theatre", 135-149 Shaftesbury Avenue</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Concert (two shows of 30 minutes each - 18.00 & 20.30).</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Support: The Who; The Koobas; Thoughts; MC Mike Quinn.</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Noel is back to using Chas’ four-string Gibson EB2 bass.</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">💢 Attending: Brian Epstein, John Lennon, Paul McCartney, The Cream, Brian May (later of ‘Queen’) and others.</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">💢 Songs:</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Rock Me Baby (BB King)</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Like A Rolling Stone (Bob Dylan)</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Can You See Me</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Hey Joe (Billy Roberts)</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Wild Thing (James ‘Chip Taylor’ Voight)</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">and others unknown</span><br />
<br style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;" />
<b style="-webkit-tap-highlight-color: transparent; background-color: #fefefe; color: #212121; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; white-space: pre-wrap;">Noel</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: “Bad amps.”</span><br />
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1968.</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">💢 Flying from London Heathrow Airport, Middlesex, England, to Le Bourget Airport, Paris, France.</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">💢 Paris - Radio interview (2:00) with Jimi for France-Inter Radio programme ‘Popclub’ of 4? February 1968.</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">💢 “Olympia”, 28 Boulevard des Capucines, 75009 Paris, France. </span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Concert (two shows of around 50 minutes each - 19.30 and 22.30). </span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Support: Eric Burdon & The Animals.</span><br />
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">During these two shows, Jimi seems really inspired and in good humor, allowing himself some jokes, like the "Tune-Up Time", small improvisation while he grants his guitar. Because this is unfortunately the main problem of this concert, the guitar of Jimi really disagrees too quickly.</span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">We can still note that this concert contains the recorded version of "Little Wing" the longest! </span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Finally, during a solo Mitch breaks one of his boxes.</span><br />
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<b style="background-color: #fefefe; color: #212121; font-family: roboto, robotodraft, helvetica, arial, sans-serif; font-size: 14px; white-space: pre-wrap;">Noel</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: “This was a welcome break and we received warmth and enthusiasm. We bought some of the latter ourselves in the form of methedrine, which gave an energetic and sociable high that helped pull the group together (temporarily). </span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Obviously, live I used the bass except for rare occasions like a Paris Olympia concert when Keith Richards had been hanging around backstage. I borrowed his guitar, plugged it into my bass amp and turned the control to full bass. Nobody planned on instruments then as part of the act too flash.” </span><br />
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;"><a href="https://goo.gl/photos/mTSv7u6fKdppS2Vt5" target="_blank">Photo Gallery for January 29</a></span><br />
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-37497690335917036162023-01-28T11:58:00.001+02:002023-02-10T22:08:54.991+02:00🎸 January, 28<div dir="ltr" style="text-align: left;" trbidi="on">
<b style="font-family: Verdana, sans-serif;">1966</b><span style="font-family: Verdana, sans-serif;">.</span><br />
<span style="font-family: Verdana, sans-serif;">📬 Jimmy arrives in Texas with Little Richard and books into the San Ann Motel, 4910 2nd Avenue, Dallas where he writes the following postcard to Al Hendrix. Hendrix: “Dear Dad, Well we just left Houston and we’re now in Dallas. We’ll play around here and Ft. Worth, Tulsa, Oklahoma and Louisiana for a while, and then we’ll head for California. Little Richard left Seattle not long ago- I wish I could have been there with him then. But we’ll make it up there again soon. Tell Ben and Ernie that Houston’s swinging. Jimmy”.<br /><br /><b>1967</b>.<br />📬 The Experience perform at The Upper Cut in Forest Gate, Newham, London.<br />Concert.<br />Support: The Fantastic Freddie Mack Show.<br />Noel was probably using a 4-string Fender Telecaster bass<br />Sponsored by Radio Britain & Radio London<br />Audience: <b>Noel</b>: “5,000 tonight!”<br />Songs: unknown<br /><br /><b>1968</b>.<br />📬 “Mushy Name” and “Tax Free” are recorded at Olympic Sound Studios, London.<br />Studio recordings (from 17.30 to 01.00 the next morning). <br />Producer: Chas Chandler<br />Engineers: Eddie Kramer<br />Tax Free overdubs.<br /><br /><b>Neville Chesters</b> (roadie): “Set off for recording studio for 5:30. Finished sorting gear out for States while boys were recording. Group left studio at 1:00. Stayed there mending leads, finally left 4:00 in the morning… Left for Paris 6:15.”<br /><br /><b>1970</b>.<br />Winter Festival For Peace.<br />📬 Madison Square Garden, N.Y. The concert was a non profit benefit to raise money for the Moratorium Fund, an anti war effort.<br />📬 Backstage, Jimi meets Johnny Winter.<br /><br /><b>Johnny Winter</b>: “When he had to stop playing I really cried because I could see it happening to me, I could see it happening to him, and I loved Jimi, respected him as a person and musician more than anybody. They forced him into working, keeping him all fucked up on dope where he couldn't really figure things out for himself. They didn't care about him as a person, they wanted him as a commodity, he was to be bought and sold...”<br /><br /><b>2005</b>.<br />📬 Gone to Rock & Roll Heaven: Jim Capaldi, drummer for Traffic.<br /><br /><b>2016</b>.<br />📬 Gone to Rock & Roll Heaven: Paul Kantner, a founding member of Jefferson Airplane and Starship.</span><span style="font-family: Verdana, sans-serif;"><span style="background-color: #fefefe; color: #212121; font-size: 14px; white-space: pre-wrap;"><br /></span>
<a href="https://goo.gl/photos/dHatbrpNwywNQkLY9">Photo Gallery for January 28</a></span><br />
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-67173644259942500612023-01-27T16:22:00.000+02:002023-02-10T22:09:14.274+02:00🍯 January, 27<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1918.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🏮 Born on this day, Elmore James, (Jan 27 1918 - May 24 1963) US blues guitarist, singer, known as the King of the Slide Guitar. Influenced Jimi Hendrix, B.B. King and Keith Richards.</span><br />
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1930.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🏮 Born on this day, Bobby ‘Blue’ Bland, (Jan 27 1930 - Jun 23 2013). Bobby was inducted into the Blues Hall of Fame in 1981, the Rock and Roll Hall of Fame in 1992, and received the Grammy Lifetime Achievement Award in 1997. </span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1965.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🏮 Texas bluesman Albert Collins jams with Jimi.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1967.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🏮The Experience perform at Chislehurst Caves, Old Hill, Kent, England. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilocXMpg51AGvaTFTQxi-4X2_AUn7PgdMHuB7yryzSKhLxfThHrs0c1QMcrV9tqE9o45epmwWaLcVcrt1ZsXnNTVO7I-lMyfc1xNe7i41ZoKFVuZ6LscDJsyYYuBp3LGeFexERSYyjfHY/s1600/chislehurst_2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: center;"><img border="0" data-original-height="328" data-original-width="438" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilocXMpg51AGvaTFTQxi-4X2_AUn7PgdMHuB7yryzSKhLxfThHrs0c1QMcrV9tqE9o45epmwWaLcVcrt1ZsXnNTVO7I-lMyfc1xNe7i41ZoKFVuZ6LscDJsyYYuBp3LGeFexERSYyjfHY/s320/chislehurst_2.jpg" width="320" /></a><a href="https://lh3.googleusercontent.com/mk9qFJ-Wq-_klXb8Z5LKP59-ZbHZK_r33wh-x7MWQ9L0XWQCQjKUq4wwKp9-ebXI-LEx_8zv6rDVsIwoLgRO2sJnHbQbfM_g3Q=w293-h220-rw" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Noel was probably using a 4-string Fender Telecaster bass</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Many of the well known R&B/’rock’ acts of the day played this unusual venue.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">After the show Jimi Hendrix meets up with effects maestro Roger Mayer where he provides Jimi some of his new experimental Octavia effects pedals to try out.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Audience: </span><b style="background-color: #fefefe; color: #212121; font-family: roboto, robotodraft, helvetica, arial, sans-serif; font-size: 14px; white-space: pre-wrap;">Noel</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: “Crowd of 2,000!” </span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">JHE fee: </span><b style="background-color: #fefefe; color: #212121; font-family: roboto, robotodraft, helvetica, arial, sans-serif; font-size: 14px; white-space: pre-wrap;">Noel</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: “£50.”</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Songs: unknown</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF5tgxNYPVdFqQJKTTZhygh6aDjRetP2isuCkImBRZ-jIgWM62OMncOZcV6QGLVd7f9dMzsyLanxwMidvWJw4tINnmKIrr-2q0B-JwlKrjpGJ4va8Z5pH159LX97qBVrSnh0af4V_2BPw/s1600/8513192963_721aeb84dc.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="375" data-original-width="500" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF5tgxNYPVdFqQJKTTZhygh6aDjRetP2isuCkImBRZ-jIgWM62OMncOZcV6QGLVd7f9dMzsyLanxwMidvWJw4tINnmKIrr-2q0B-JwlKrjpGJ4va8Z5pH159LX97qBVrSnh0af4V_2BPw/s320/8513192963_721aeb84dc.jpg" width="320" /></a><a href="https://lh3.googleusercontent.com/ctfm9ZCRvz6dLTUXKDvPy6Kqf4Be4HN3c_lxOq6b-MF0Tnzj0TdhXqnbbnggC7AwERwlyvJB85KfzGeIV-AuzP-B3flb4-VlzA=w293-h220-rw" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a></div>
<b style="background-color: #fefefe; color: #212121; font-family: roboto, robotodraft, helvetica, arial, sans-serif; font-size: 14px; white-space: pre-wrap;">Roger Mayer</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: “... Jimi said to me, “Why don’t you come down I’m playing a place called Chislehurst Caves. They’re actually caves where people hold rock concerts, famous historical caves in Kent. When I went down there I took some of the experimental electronics, some of the Octavia pedals I’d been working on. Jimi loved the pedals…so we got on like a house afire.” I spent a lot of time with Jimi privately, hanging out and talking about the sounds and maybe bringing a few [effects] boxes around the flat so he could jam in private. And we would get some general ideas of what we were trying to accomplish in the way of sustain and tone. We were normally using colors to describe the sound.” </span></div>
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<b style="background-color: #fefefe; color: #212121; font-family: roboto, robotodraft, helvetica, arial, sans-serif; font-size: 14px; white-space: pre-wrap;">cybcrez</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: When Hendrix performed there for a second time in January 67 the place was packed solid there were no fire exits. There's no way a concert like that would be allowed in that venue under today's Health and Safety regulations.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">On that occasion I was with my girlfriend, she had a broken leg and was on crutches, so the crowd politely let us through and again I ended up right in front of the stage.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Johnnie Walker the DJ from the pirate station Radio Caroline was there, dressed rather imaginatively as a pirate.</span></div>
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<b style="background-color: #fefefe; color: #212121; font-family: roboto, robotodraft, helvetica, arial, sans-serif; font-size: 14px; white-space: pre-wrap;">Marc Denness, Blackpool</b><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">: "Jimi Hendrix wedged the head of his guitar between the top of his Marshall amplifier stack and the jagged roof of the caves. He also played his guitar with his teeth. "</span></div>
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<a name='more'></a><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1968.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🏮 Hendrix is interviewed by Hugh Nolan for a February 17 Disc & Music Echo feature. Hendrix wins the publication’s award for “Top World Musician.”</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🏮Otis Redding's "Sittin' On The Dock of the Bay" is released, six weeks after he was killed in a plane crash. It will become the first posthumous number-one single in US chart history. Otis had intended to return to the studio at a later date to add lyrics in place of the whistling that is heard during the closing bars.</span><br />
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-84359710384624670772023-01-26T10:12:00.000+02:002023-02-10T22:09:33.485+02:00🍓 January, 26<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;"><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;"><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;"><b>1967</b>.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;"><span id="docs-internal-guid-4a8ff6d0-3183-dd8b-3117-3890c9e89d46"><span style="background-color: white; color: black; font-family: "verdana"; font-size: 10.5pt; vertical-align: baseline;">🍓</span></span> Jimi photo call with Paul Popper and possibly also with Dutch photographer Rob Bosboom. Montagu Square.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;"><b>1968</b>.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;"><span id="docs-internal-guid-4a8ff6d0-3183-dd8b-3117-3890c9e89d46"><span style="background-color: white; color: black; font-family: "verdana"; font-size: 10.5pt; vertical-align: baseline;">🍓</span></span> London SW13, “Olympic Sound Studios”</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Studio recordings (from 22.30 to 08.00 the next morning). </span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Tax Free</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">This mix of Tax Free was used on the 1997 compilation South Saturn Delta.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;">Mitch</b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: “We also did 'Tax Free', which is probably the version that came out on one of those posthumous albums. That cropped up live several times over the years, and I hope Hansson and Carlsson have got some royalties for it. Unlikely, but who knows?”</span></span></span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;"><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;"><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;">Chas</b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: “The song had stuck in Jimi's mind, and he wanted to complete a definitive version. We must have done that eight times, all instrumentals, but he wanted to find a vocal and a melody for it."</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br /><b>1969</b>.</span></span><br />
<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;"><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;"><span style="background-color: white; font-family: "verdana"; font-size: 10.5pt;">🍓</span> No news...<br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;"><b>1970</b>.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;"><span id="docs-internal-guid-4a8ff6d0-3183-dd8b-3117-3890c9e89d46"><span style="background-color: white; color: black; font-family: "verdana"; font-size: 10.5pt; vertical-align: baseline;">🍓</span></span> Noel and Mitch flew to New York to discuss an Experience reunion tour organized by Michael Jeffery.</span></span></span></div>
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-65571869494153221882023-01-25T15:45:00.000+02:002023-02-10T22:09:48.765+02:00💦 January, 25<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;"><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">1967.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🌈 The Jimi Hendrix Experience perform at The Orford Cellar in Norwich with support from The Orford Discotheque System.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Norwich, "The Orford Cellar", Norfolk - Concert (60 minutes - 20:00).</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Although a small basement club it was part of the ‘bread-&-butter’ circuit that many well known R&B/ ‘rock’ acts of the day played.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Noel was probably using a 4-string Fender Telecaster bass</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Support: The Orford Discotheque System.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Audience: 300 plus</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">JHE fee: £39</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Songs: unknown</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;">Variety</b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: "Hendrix is now being readied for his American debut. Michael Jeffery plans to make the preliminary arrangements on his trip to the U.S., scheduled for early February."</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;">Noel</b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: “Smallest, hottest place I’ve ever played in. Terrible sound.” </span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;">Dick Meadows of ‘Sounds’</b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: “I FIRST SAW the Jimi Hendrix Experience in a cramped Norfolk cellar club. Then the colored guy with the frizzed-out hair was a nobody in rock. He proceeded to play his guitar with his teeth and on the amplifier and we were all aghast and amazed. There was also a new song. It was called 'Hey Joe'.”</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;">Derek James</b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;"> [Editor, Norwich Evening News, Nostalgia page]: More than 300 people squeezed into the cellar in its heyday and the doorman had a reputation for being one of the hardest men in Norfolk - Levi McCarthy. No-one messed with him, with Levi. Even the juke box upstairs was special - playing records brought over from America by the GI's before they were officially released in this country. Jimi Hendrix charged £39 for appearing at the Orford and said he would always come back to Norwich to play the cellar for £39 because it gave him his first big break."</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;">Andy Field</b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;"> [kybds The Continentals, local band that regularly played the Orford]: “It was the kind of place which makes you shudder now. There was just one rickety staircase and once you were downstairs you couldn't move. It was solid. The best place to be was on the stage and that wasn't very big either."</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;">Douro Potter</b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: [manager of the Orford Cellar]: “It used to get so hot that the labels came off the bottles that takes a bit of doing.” </span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;">Second Air Division Memorial Library</b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: “There was a big picture of Al Capone. A jukebox. Fluorescent lights picked up the vivid DayGlo wall coverings. Tickets were seven shillings, sixpence."</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;">Fred Agombar</b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: “The Orford was like The Cavern for East Anglia. Groups always used to come here first and they would often try out a new name or a new line-up before they went on tour”.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;">Lucas</b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: “It's an honour to be here as one of the original people that actually played here. I used to play here mostly every other week in those days. I'm an adopted son of Norwich and this was my second home. This was one of the first places I performed and it's a special place for me. It was hot and crowded all the time. The walls were sweaty but we used to go in and have a good time.”</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;">John Bailey [fan]</b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: “I visited every Wednesday, Friday and Saturday night and I remember seeing Hendrix at the venue on January 25, 1967. I was queuing up from near the Bell Hotel. When I got there it was full but because I was a regular, the bouncer Levi McCarthy lifted someone out so I could get in.” </span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;">Ian Vargeson [fan]</b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: “I saw the Jimi Hendrix Experience. Great atmosphere in the Orford Cellar, but uncomfortable, to put it mildly, when packed, as it was.” </span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;">Boudica [fan?]</b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: “My first night out clubbing when I was 15 (no poxy age restrictions then), Geno Washington & Ram Jam Band was the warm-up, blasting out in that tiny cellar, fantastic. Hendrix not due on stage till 10.30, no good to me as I had to catch last bus at 10.25 (or never be allowed out again). I bumped into him on the stairs as I was leaving, I think he looked down my cleavage but he was so stoned it was hard to tell.”</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">1968.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🌈 The Experience rehearse at Middle Earth in Covent Garden from 14.00 to 16.30.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🌈 Interview at Jimi's flat.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🌈 A High Court injunction is granted against Decca Records for having released the Curtis Knight album.</span></span></div>
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-43844291853851048072023-01-24T15:45:00.000+02:002023-02-10T22:11:01.704+02:00🌳 January, 24<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;"><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">1967.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🍵 The Experience participate in a photo session at the George Public House, Bruce Fleming photo studio, 12 Great Newport Street, London W2.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🍵 London W1, 90 Wardour Street, "Marquee". The Experience rehearsals; Jimi photo calls with Barry J. Peake, Paul Popper, and Ray Stevenson.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Concert (60 minutes -between 19:30 and 23:00). 1,400 people attend (all previous attendance records were broken; the queue ran from Wardour Street to Shaftesbury Avenue all the way to Cambridge Circus).</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">SUPPORT Syn - Peter Banks (guitar); Chris Squire (bass, vocals); Andrew Jackman (keyboards), Steve Nardelli (vocals); Gunnar Hakanarssen (drums).</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">The Experience broke all attendance records at the "Marquee" and grossed a reported £800.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">SONGS: Hey Joe; Stone Free; Like A Rolling Stone; Wild Thing; and others. Unconfirmed set list.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🍵 </span><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;"><i style="-webkit-tap-highlight-color: transparent;">Dave Edmunds</i></b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: “I had just moved up to London to make a record, and he was doing his first gig at the Marquee club, in central London. There’s a pub next door called ‘The Ship’. He came in and stood next to me with a few of his entourage, and he bought me a pint of beer and he started talking to me! He asked if I liked Eric Clapton, and I said, ‘Yeah, but I prefer Steve Cropper.’ And he seemed quite surprised by that, that I’d even know who Steve Cropper was. For about five minutes we chatted, and I told him I had a band and I had come up to London to try and get into the music business. He was great! A very quiet, gentle guy, softly spoken.”</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🍵 </span><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;"><i style="-webkit-tap-highlight-color: transparent;">Noel</i></b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: “The matter of a bass rumbled on. In January I borrowed a Fender Mustang for a few gigs, but to me the short-scale neck didn’t feel like a real bass”. Noel was probably using a 4-string Fender Telecaster bass</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🍵 </span><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;"><i style="-webkit-tap-highlight-color: transparent;">Lemmy of Motorhead</i></b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: “Remember Jimi playing 3rd Stone From The Sun.”</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🍵 </span><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;"><i style="-webkit-tap-highlight-color: transparent;">Chas</i></b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: “I was in the pub down the road. I’d seen the boys play before.”</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🍵 </span><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;"><i style="-webkit-tap-highlight-color: transparent;">International Times</i></b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;"> (March), ‘Hendrix is here to stay’ article by unknown: “Jimi Hendrix is 19 according to his press handout. Jimi Hendrix is beautiful according to Janet Morris, who talked to him last Wednesday, when he broke all attendance records at ‘The Marquee Club’ and grossed a reported £800. Jimi Hendrix rides high into 1967.”</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🍵 </span><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;"><i style="-webkit-tap-highlight-color: transparent;">Mike Tiano</i></b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: “Did you ever interact with Jimi Hendrix?”</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🍵 </span><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;"><i style="-webkit-tap-highlight-color: transparent;">Chris Squire</i></b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: “Yes, I met Jimi Hendrix back then… It was a long time ago, that was when I was in the Syn, which was the band I was in before Yes, and we had been touring around England and it was kind of a miserable time of the year; it was wet and cold and a lot of the shows we’d been doing were in the north of England where it was particularly bad weather, it hadn’t been very well attended and we didn’t get our percentages and we were kind of looking forward to coming down to playing at the Marquee Club. Because that was in London, usually that was well attended because we had the regular Tuesday night support band spot, and that usually meant there’d be a major band playing on the Tuesday night and we’d be the support band but we also got a cut of the profits, and so we were looking forward to that. When we got down there we unloaded our equipment out of the van and there was this band rehearsing on the stage, and the bass player was trying to learn the riff to what we later knew would be ‘Purple Haze’. And being an English rock musician this was one of my very early encounters of actually apart from Muddy Waters and things like that, I’d never really met any black players in rock ‘n’ roll so it was quite a novelty watching this band rehearsing, and also it was kind of frustrating because the bass player didn’t seem to be able to learn to play the riff very well, and I kept thinking I’d go and grab the bass and show him exactly what the notes were that the black guy was telling him, how he could do it. That was Noel Redding, of course; not the greatest bass player of all time.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">However, what happened then was that I wandered around to the front because I got bored with listening to this sort of rehearsal and I was wondering how long they’d been renting the place out in the afternoons for people to just go in and rehearse! And the assistant manager came in and I said to him, ‘Wow, is this band going to stop rehearsing soon? Because you’ve got to get Cliff Bennett in,’ who was going to be the main band that week; they had covered the Beatles’ ‘Got to Get You Into My Life’ and had a hit with it in England. So we were expecting a lot of people to come and they were pretty high in the charts for that song. The assistant manager said to me, ‘Yeah, I just got a phone call from the office and they told me the band that’s rehearsing, they’re the main band tonight,’ and I kind of said [laughs], ‘You’re kidding, aren’t you!? They can’t even learn to play five notes!’ I listened to them painfully rehearse for half an hour. He said, ‘Well, that’s what I’ve been told.’ So of course we were all kind of pretty upset about that, so they finished rehearsing and we set our equipment up in front of theirs, as we would do being the first band on, and we kind of counted out our last spare change, and we decided to go down and grab the cheapest possible something or other to eat at this café that was pretty local to the Marquee, just down the street. So as was customary to me I went off the stage after we did our little sound check and I was changing strings on my Rickenbacker in this small dressing room at the Marquee Club, and Jimi came in and started talking to me, which I found was quite surprising because guitarists didn’t usually talk to bass players much in those days, let alone this black guitar player, so I ended up kind of having about a thirty minute conversation with him about bass guitars, and how his friend in Seattle used to have a Rickenbacker, and various stuff.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">And so I left the dressing room after this rap thinking, ‘Well, he’s a real nice guy, it’s a shame that the band can’t play and no one’s going to come and see us tonight,’ because we’d been away and we weren’t really aware of what had been going on in town. So I went down to the café to eat and we all had the cheapest thing on the menu, and as we were sitting there the line for the Marquee Club started to pass the window of the café and we thought, ‘Wow, that’s amazing, there’s actually a line for the show tonight’. We thought, ‘That’s good, for some reason people are just coming out’. We all ordered dessert because we figured we’d be able to afford the gas money to get home, then we went back to the Marquee Club and we could hardly get through the doors; and there was the same assistant manager just taking money hand over fist from people and it was just crazy, and of course I had no idea that during the week we’d been away that Hendrix had played a couple of late night clubs and jammed with Mick Jagger or somebody at this late night club, and there was this whole buzz around town, and this was his first ever gig to the public. We went to the dressing room and we got changed and we went on stage and the place was really packed. And then they had a few chairs in the front there, about the first, I don’t know, four rows, and there’s about sixteen chairs in each row and the rest was standing room, and then as we were beginning to start our first song I looked down at the front rows and realized that all my rock heroes of all times, like the Beatles, the Stones, the Who, everyone was sitting in the chairs in the front row!</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">We went through our set and we got really good applause after each song, and later on I asked Pete Townsend, who was one of the guys sitting there, I said, ‘God, did anyone like us or were they just applauding us so that we’d get off? because they were obviously all waiting to see Hendrix, and there was Eric Clapton, and all these people sitting there.’ And Townsend said, ‘Oh no, no, I’ve always liked the band, I thought you were really good that night,’ because we’d supported the Who a couple of times. We finished our set, Hendrix came on, and that was his first ever show in England, of course he completely brought the place down and it was amazing.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">So that’s my little story of meeting Jimi Hendrix and actually it was so packed in the place I couldn’t even leave the dressing room, so I just decided to hang on the stage while he played his set. There was this piano at the back of the stage, this grand piano, I just wanted to kind of lay on top of it and watch the Hendrix set from behind the drums, so I obviously got a real close up view of the whole thing. The amazing thing was that after that show every chick who’d never, ever really wanted to talk to me before, down at the clubs and late night clubs [laughing] all suddenly became my best friend, wanted to know how Jimi was, and of course I played that one up and said, ‘When Jimi and I were rapping before the show...’ That was the funny twist to it, that all of a suddenly all these chicks who hadn’t been interested in talking to me before became real friendly.’</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;"><i style="-webkit-tap-highlight-color: transparent;">Mike Tiano</i></b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: [Laughs] “’Come back to my place and I’ll tell you more,’ huh?’’</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;"><i style="-webkit-tap-highlight-color: transparent;">Chris Squire</i></b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: [Laughs] ‘Exactly!’</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;"><i style="-webkit-tap-highlight-color: transparent;">Mike Tiano</i></b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: ‘That’s an amazing story, Chris!’</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;"><i style="-webkit-tap-highlight-color: transparent;">Chris Squire</i></b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: ‘It is, yeah! And that’s the only time I was ever with him, it’s amazing that obviously I just didn’t know who he was or what the band were capable of or anything during that half hour conversation, so it was a completely untainted conversation I suppose, in terms of me being in awe or anything like that, it’s just a natural thing. So I’ll always remember that.’</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;"><i style="-webkit-tap-highlight-color: transparent;">Mike Tiano</i></b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: ‘I take it they were together by show time!’</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;"><i style="-webkit-tap-highlight-color: transparent;">Chris Squire</i></b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: ‘They didn’t do “Purple Haze”, I’ll tell you that [laughs], they did the songs they did know. At the time he was teaching “Purple Haze” to Noel Redding because it was a new song and they were just learning it, because they didn’t do it at the show.’</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;"><i style="-webkit-tap-highlight-color: transparent;">Mike Tiano</i></b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: "Were you intimidated looking down and seeing the Beatles, and.."</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><b style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;"><i style="-webkit-tap-highlight-color: transparent;">Chris Squire</i></b><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">: ‘Oh, well, kind of, yeah [laughs]! We just kind of gritted our teeth and played the best we could! Of course that was the Syn, that was prior to Yes... But it was definitely an interesting night.’</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">1968.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🍵 Hugh Nolan interviews Jimi for Disc & Music Echo, at Upper Berkeley Street, published February 17. Jimi, Mitch and Noel spend the day looking at home movies and Jimi is told that he has won the Disc & Music Echo award for Top World Musician. [Note: This interview took place on or around 24 January 1968]</span></span></div>
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-56885871939634982062023-01-23T15:44:00.000+02:002023-02-10T22:11:16.429+02:00🏊 January, 23<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;"><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">1967.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🔻 For $500, Mike Jeffery acquires rights to Curtis Knight & The Squires (including Jimi Hendrix) material, cut for Jerry Simon's RSVP Records in New York.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">1968.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🔻 Richard Robinson interviews Hendrix and Noel Redding for Hullabaloo at the Upper Berkeley Street flat.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">1969.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🔻 West Berlin (enclave), Sportpalast, 170 Potsdamer Strasse, East Germany.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Concert at 20:00, probably sold out. Support: Eire Apparent. Promoter: Lippmann & Rau. Audience: ~ 10,000 </span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Filmed conversation in the dressing room (09:01) with the JHE, Eric Barrett, Mick Cox, Gerry Stickells, Trixie Sullivan, and others. Filmer and/or producer: Oets Kempe. First transmitted on German TV in 1970 (details unknown). Re-transmitted on Germany 1 TV during an unknown WDF program, possibly in 1973.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🔻 Various film clips, showing the JHE on tour in Germany and Austria (at airports, being driven around, hotel arrivals, etc.), can be seen in the (unreleased) film The Last Experience.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🔽 Songs: </span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Fire, Hey Joe (Billy Roberts), Spanish Castle Magic, Foxy Lady, Red House, Come On (Earl ‘King’ (Johnson), Sunshine Of Your Love (Jack Bruce, Pete Brown & Eric Clapton), Purple Haze.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🔽 Abe Jacobs (sound engineer): “We were escorted by armed troops [sic, must have been police, armed troops were not allowed at that time in Berlin] with Dobermans to the stage from the dressing room...” </span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🔽 Noel: “Berlin is always a strange place. It takes two separate flights to get there. There were about 20,000 people and we were told before we went on that there was going to be a riot. I walked onstage and the first thing I saw, virtually, was someone being beaten up in the audience. The police had to surround the stage in the end. But that’s a different kind of violence, sure.” [Interview by Allan Jones, Melody Maker, 26 June 1976]</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🔽 Axel Schumacher [fan]: “It’s a long time ago, but I do not agree with Redding’s comments: I never saw a concert in Berlin with police surrounding a stage. Of course, the violence was there in January 1969. You know about the upcoming political movement in 1968, so at concerts in this period everybody started with trying to get in for free. People were taking a big metal trash-bin hammering it against the door, trying to break it and get in. Thus the only violence was outside, no problems inside. By the way, the Sportpalast was torn down in November 1973 “</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🔽 Der Tagesspiegel (‘The Daily Mirror’ 25 January) ‘Porridge’ - review by Peter Baumann: “The Sportpalast was already in the mood for riots, even before the three American ‘underground’ musicians Jimi Hendrix, Noel Redding and Mitch Mitchell started their program. The organisers were wise enough to send an Irish beat band to the frontline for the first part of the concert. The rudeness of their music, which roared from about twenty man-size amplifiers, stood against the aggression of thousands of youngsters, who besieged the aisles, occupied seats which they had not paid for, and threw fire crackers. The tired flank of grandfatherly looking ushers had long left the battlefield of ongoing failure. When Jimi Hendrix finally hurled his unhappy experience with our ugly world into the audience, the midfield got into a serious swing. Besides, the music of the three men dressed in half Wild West-style wasn’t exciting at all: what is there to be heard when twenty amplifiers mess any beginning of sound or building of tones into one single annoying porridge? This didn’t worry most of the fans who in protest against the consumer society dressed sloppy [‘Sack und Asche’]: willingly, they had paid and now they wanted to party.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">The organizing establishment cashed in with a pounding heart, but cash in it did: every time the waves against the stage came too high, the Frankfurt-based concert promoter Rau started to grumble out loud: ‘In eleven cities all went well, in this city all goes wrong. Right after Frank Zappa’s concert [when a riot broke out] I took an oath: never again in Berlin!’ Oh well, the leopard cannot change its spots, especially when it comes from Frankfurt. However, the police forces positioned behind revolving doors could keep their clubs where they were, after all.”</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🔽 Noel: “Back at the hotel, promoter Fritz Rau had a very stiff and formal press party going. You could almost hear heels click. Mitch and I are so smashed and all the Germans are so straight - particularly here in Berlin. We decide to do something about it and it only takes a few minutes to put bits of Mandrax in the ice creams. All we have to do then is sit back and watch it all hit - and it does.”</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🔽 Jimi spends night with Uschi Obermaier (famous/infamous model and formerly part of the 'alternative music commune scene' in München centered around Amon Düül), she had moved to West Berlin. He visits ‘Kommune 1’ which Uschi was a member of. Filmed leaving Kempinski hotel together, kissing and petting farewell. Jimi wrote to her later asking her to visit him in NYC. But she was off with her German lover round the world.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">1970.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🔻 Record Plant, New York Studio Recording. A wild evening of inspired jamming by Jimi. One of the evening’s many highlights was a remarkable “Villanova Junction Blues” that lasted over fifteen minutes. Several other extended jams were recorded on this evening including “MLK,” “Slow Time Blues,” “Country Blues,” and “Burning Desire.” In addition to Cox and Miles, an unidentified harmonica player would also join Hendrix. Jimi and company launched into a lengthy workout of Carl Perkins’ “Blue Suede Shoes”. An edited version of this recording was later included as part of the 1973 international compilation Loose Ends. Hendrix also made efforts at “Freedom,” “Midnight Lightning,” and “Highways Of Desire”. This work gradually segued into “Seven Dollars In My Pocket,” an impromptu blues. Following the blues groove already set in place, Hendrix then began “Country Blues”. This extraordinary recording was not a numbered take, but rather another inspired jam session. Hendrix, Cox, and Miles relished such interplay and “Country Blues” is a joyous example of their shared musical vocabulary. This recording would become one of the highlights of The Jimi Hendrix Experience box set issued in September 2000. One other song from this session, an edited version of the blues workout “Once I Had A Woman,” has also been released, last included as part of the 1994 collection Jimi Hendrix :Blues (Experience Hendrix).</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🔽 Album’s review by </span><a class="ot-anchor aaTEdf" dir="ltr" href="http://www.collectorsmusicreviews.com/" jslog="10929; track:click" rel="nofollow" style="color: #2962ff; text-decoration: none;" target="_blank">http://www.collectorsmusicreviews.com/</a><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">:</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">§ The no-label release, Old Time: Record Plant Jams 1970.1.23, captured The Band of Gypsys in the studio and in total free form shortly before they disbanded. The recording quality is high and there was no mistaking that Jimi was the shining star of these sessions. Buddy Miles’ unmistakable “cement mixer” style, as Mitch Mitchell described it, and Billy Cox’s bass playing go nowhere near the heights where Jimi was playing in these recordings.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">This is quickly evidenced in the opening “Ezy Rider/Jam/Cherokee Mist (AKA Martin Luther King Jam),” which is a rambling instrumental that lasted more than twenty minutes. Jimi’s guitar sounds in this track are at times mesmerizing, vicious at others, but always electric with loads of tasty feedback and whammy bar attacks. Calling this a “jam” is entirely correct as Miles and Cox improvised with Jimi through multiple fascinating links that abruptly ended after Miles hit his snare and hi-hat while Jimi seemingly drifted off.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Like the opening track, the second jam starts already with the playing in progress. Once again there were no vocals and lots of fuzz-box and unmistakable stratospheric Jimi Hendrix soloing during the more than sixteen minutes of this recording. Billy Cox’s bass is a bit more prominent in this track than the first. Differing from how the first jam’s recording ended, here Jimi asked for someone to come in and change a string he had broken. This is the type of unedited stuff that makes music collecting so special.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Track three, called “Villanova Junction Jam,” is a more polished “song” if you like than the prior two tracks. It also is without vocals and laden with constant exploring by Hendrix, but we get a better taste of Miles’ playing and booming drum sound here. About 3:25 into the track they slow down as Jimi commented on “treble” in the sound, but without halting his amazing wah-wah noodling. Amazing creativity on display. Then, after more than 2 minutes pass of relatively idle playing, the band launches into a fantastic composition that leads into yet another thrilling Hendrix solo. It is here that you get a vivid glimpse into what the Band of Gypsys had brewing, and the excitement that surrounded that short-lived group. Because this track exceeds nineteen minutes, the spikes in playing temper as they amazingly drop into a blues groove that – for the first time to this listener’s ears – has Hendrix accompanied by a soulful harmonica performed by an “unidentified harp player.” The first three tracks alone encompass about an hour’s worth of music, and it’s all passionate, creative and unmistakable Jimi Hendrix, making this title a treasure.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">The final two tracks on disc one are alternate versions of a slow, southern blues song called “Once I Had A Woman.” Accompanied again by harmonica, Hendrix delivers vocals about heartache while never letting us forget he’s still got that guitar strapped around his neck. His strat work with Cox and Miles juxtaposed the harmonica playing, and didn’t work quite frankly because the band was in one place and the harp player was somewhere else.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Disc two opens with a great take on “Blue Suede Shoes”. The track is more than thirteen minutes long, but not all of it is playing. In fact, it is here where we find out where the title “Old Time” apparently came for this release. Jimi, who was “stoned as hell and asking where’s the rest of that grass?”, described the drum pattern he wanted on the cymbal and snare. It was a “very old time, real old time” pattern he scattered for Miles who eventually got it down. Once he did, Jimi said he felt “evil” and joked “if you want trouble, you’ve come to the right place” before singing a little “Heartbreak Hotel”. The version of “Blue Suede Shoes” that was then played is nothing short of remarkable. A harmonica solo moved alongside Hendrix’s inspired playing that was wringing devilish sounds out of his guitar while Miles and Cox drove the rhythm section. The beautiful clarity and completeness of this recording allows us to travel back and experience the creative and thoroughly entertaining juices flowing during those sessions, further showing why this is an essential release for any Hendrix or rock music collector.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">The second track on disc two is another eclectic rock & blues jam exceeding more than twenty-three minutes, akin to the first two tracks on disc one.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Track three, “Country Blues/Astro Man (w/harmonica),” is yet another unbelievable performance captured in pristine studio quality. While undeniably blues in its foundation, this is a Jimi Hendrix instrumental that quickly takes the listener on one of those rides only he could provide. Some initial strumming was played while the harmonica player, Cox and Miles laid down the beat, but his cavernous guitar sound gradually and steadily drove the song into greater and greater heights. This could be considered a highlight track on the whole release, and the two remaining “Country Blues” tracks continued with that caliber of playing and creativity.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Old Time: Record Plant Jams 1970.1.23 comes with tasteful inserts and is most definitely a treasured recording of the incomparable Jimi Hendrix with his Band of Gypsys. Repeated listenings will only reveal further depth in these performances, easily making this title highly recommended.§</span></span><br />
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-43509261191174724172023-01-22T15:43:00.000+02:002023-02-10T22:15:49.035+02:00🔮 January, 22<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;"><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">1967.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">⛵ Astoria, Oldham, Lancashire</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">The Astoria, Oldham, Lancashire - Concert (60 minutes - between 19:30 and 22:30). Oldham, Astoria Top Rank Dancing [former cinema], Union Street, Lancashire, England. JHE</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Closed as a cinema in 1961 when it became a concert hall. The original stage was not in use in ‘63 when the Beatles played and capacity then was down to 800. When the Beatles played the very low stage was briefly invaded by two or three girls. Concert between 19:30 and 22:30 (60 minutes). Noel was probably using Chas’ 4-string Gibson EB2 bass.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Capacity: ~ 800. Songs: unknown</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">1968.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">⛵ Repetition of information, due to unknown date (Jan 21 or Jan 22)</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Jimi joins Sam Gopal’s Dream on the stage at The Speakeasy. Possibly recorded by Sam Gopal. Songs: unknown</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">⛵ Neville: “Went round to Sound City to collect gear.”</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">⛵ Jimi writes cheque to Apple Ltd. for £61. Shopping? Or something connected to the McGough & McGear recording a week previous?</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">1969.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">⛵ Wien, Konzerthaus / Großer Saal (Great Hall), Lothringerstrasse 20, Austria. JHE</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Two shows - Stimmen Der Welt (‘Voices of The World’) - at 19:30, sold out and 22:00, probably sold out</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Support: Eire Apparent (2nd show unconfirmed).</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Promoter: Hans Lieben</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Audience -1st show: 2,000 people. 2nd show ~ 2,000</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">The JHE flew in from Stuttgart, W. Germany, to Wien Schwechat Airport, Austria.-</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">⛵ Noel: “The beer in Vienna is terrible and makes me ill.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">1970.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">⛵ Record Plant, New York Studio Recording. Jimi prepared new mixes of “Sky Blues Today” and “Izabella”. Later scrapped in favor of new ones.</span></span><br />
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-65948702185309713062023-01-21T15:43:00.000+02:002023-02-10T22:16:07.129+02:00👒 January, 21<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;"><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">1941.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🏡 Born on this day: Richie Havens</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">1944.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🏡 Born on this day: Chris Britton. Lead guitarist for The Troggs ("Wild Thing") </span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">1967.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🏡 The Experience perform at The Refectory pub in Golders Green, Barnet, London.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Although a small basement club it was part of the ‘bread-&-butter’ circuit that many well known R&B/ ‘rock’ acts of the day played. Noel was probably using Chas’ 4-string Gibson EB2 bass. Concert (50 minutes). Songs: unknown</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🏡 Jimi Hendrix is interviewed for the January 28th edition of Melody Maker.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">1968.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🏡 Speakeasy London. Jimi jammed with Sam Gopal’s Dream. Possibly recorded by Sam Gopal. Songs: unknown</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🏡 The Experience returns to Olympic Studios to record “All Along The Watchtower,” which features Dave Mason (Traffic) on 12-string acoustic guitar and Brian Jones (Rolling Stones) on percussion. The session started with Jones contributing on piano, but these recordings were not released.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Studio recordings (from 17.00 to 21.00). </span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">The track was released in the US as a single in 1968, peaking at No 20.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🏡 Noel: “He did All Along the Watchtower didn’t he... That was when we were having a few problems within the band already. And-eh, I said I didn’t like the tune heh-heh....I preferred Dylan’s version ha-ha-ha.”</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">1969.</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">🏡 Wacken Halle Strasbourg. Hall 16, Place de la Foire Exposition, France. JHE</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">No gig previous night. Concert at 20:00 until 23:15 nearly sold out. Support: Eire Apparent. Audience: 2,500. </span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">The JHE travel by limousine from Stuttgart, W. Germany, to Strasbourg, France </span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Filmed and recorded (probably) but unreleased for the film ‘Last Experience.’</span><br style="-webkit-tap-highlight-color: transparent; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; text-align: start;" /><span style="font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; text-align: start;">Interestingly in 1941 the Free French Forces commanding general in the Western desert (“Leclerc”) made this the focus of his rallying speech: “Swear that you will not lay down your arms, until our flag flies once again over the cathedral of Strasbourg.”</span></span><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;"><br /></span><br />
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-2996831542968498862023-01-20T00:00:00.000+02:002023-01-20T12:53:02.875+02:00🚀 January, 20<div dir="ltr" style="text-align: left;" trbidi="on">
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<span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: #fefefe; color: #212121; font-size: 14px; white-space: pre-wrap;"><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">1967.</span><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">🍭 Haverstock Hill Country Club, London. Jimi obtained a full six month work permit, valid until 30 July 1967.</span><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">🍭 London W1, Anim office, 39 Gerrard Street, Soho - JH interview by John King for New Musical Express (published 28 January). </span><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">🍭 The Jimi Hendrix Experience perform at the Haverstock Hill Country Club in Hampstead. Concert (60 minutes).</span><br style="background-color: white;" /><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">1968.</span><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">🍭 London SW, Wimbledon - JHE Photocall (unpublished) for Top Pops magazine.</span><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">🍭Probably 20 January London WC2, “De Lane Lea Music Ltd.,” 129 Kingsway, Kingsway</span><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">Studio recordings by Jimi with Roger McGough & Mike McGear (and others) for their LP McGough & McGear. Paul McCartney producing.</span><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">Songs:</span><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">So Much (McGough & McGear)</span><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">Ex Art Student (McGear & McGough)</span><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">Some of the above with Jane Asher playing toy instruments – Jimi on drums:</span><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">Song:</span><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">Oh To Be A Child (McGough & McGear. aka “Toy Symphony”. – unreleased. A version by the Scaffold was released later).</span><br style="background-color: white;" /><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">🍭 Noel: “Paul's [McCartney] brother [Mike “McGear”], was a close friend of mine and it was through him that the invitation to play was made.”</span><br style="background-color: white;" /><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">🍭 Roger McGough: “I never kidded myself about my music, I would be in the same recording studios as the likes of Jimi Hendrix, but as soon as he picked up an instrument it was very clear he was a musician and I wasn't." </span><br style="background-color: white;" /><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">“It was exciting hanging out with Keith Moon and Jimi Hendrix, but I wasn’t cut out for the promiscuity of rock’n’roll.”</span><br style="background-color: white;" /><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">"When I was part of a music group and meeting Keith Moon and Jimi Hendrix, I felt excited about it but I never felt part of it. When they were passing the joints round on the coach on the way back from a gig, I was always the one who said no." </span><br style="background-color: white;" /><br style="background-color: white;" /></span><div class="separator" style="clear: both; text-align: center;"><br /></div>
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<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/NAlUphJFSMM/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/NAlUphJFSMM?feature=player_embedded" width="320"></iframe></div>
<span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: #fefefe; color: #212121; font-size: 14px; white-space: pre-wrap;"><br style="background-color: white;" /><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">🍭 Later that day Jimi buys several albums at One Stop Records in South Molton Street.</span><br style="background-color: white;" /><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">1970.</span><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">🍭 Revisiting the December 19 recording of “Message To Love”, during an evening session back at the Record Plant, the group completed the final overdubs for this track while Hendrix added a new lead guitar part to the master. The group also revisited “Earth Blues” (Take 11) from the same December 19 session – adding a series of overdubs and a new lead guitar </span><a class="ot-anchor aaTEdf" dir="ltr" href="http://track.in/" jslog="10929; track:click" rel="nofollow" style="background-color: white; color: #2962ff; text-decoration: none;" target="_blank">track.In</a><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;"> revisiting take three of “I’m A Man” (January 7), Hendrix re-titled the track “Sky Blues Today” while adding new guitar overdubs to the recording. Hendrix also revisited the December 18 recording of “Ezy Ryder.” Rough mixes for each of the session’s recordings were also completed, which would later be revisited at Electric Lady Studios later that summer.</span><br style="background-color: white;" /><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">2012.</span><br style="background-color: white;" /><span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: white;">🍭 Gone to Rock & Roll Heaven. Etta James at the age of 73.</span></span><br />
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-64080527643218904512023-01-19T15:42:00.001+02:002023-02-10T22:21:22.017+02:00🍇 January, 19<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1943.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🌹 Born on this day, Janis Joplin. (19 Jan 1943 - 4 Oct 1970)</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1967.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🌹 Jimi Hendrix is interviewed by Mike Legerwood for the January 28th edition of Disc & Music Echo. </span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🌹 The Jimi Hendrix Experience perform at The Speakeasy, London.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1968.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🌹 Jimi Hendrix attends a party at the Apple offices on Saville Row, where he is interviewed for the London Herald. The party is held to celebrate Apple’s signing of The Grapefruit. Members of the Beatles, Brian Jones and Kathy Etchingham also attend.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1969. </span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🌹 Liederhalle Stuttgart, Germany Two Shows 1st Show: Come On (Let The Good Times Roll) Foxey Lady Red House Sunshine Of Your Love Star Spangled Banner Purple Haze 2nd Show: Fire Spanish Castle Magic Red House Foxey Lady I Don’t Live Today Hey Joe Star Spangled Banner Purple Haze Sunshine Of Your Love Voodoo Child (Slight Return)</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Time-57:43</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🌹 After a 2:30 tune-up Jimi tears into the intro of "Come On (pt.1)". This version features some blistering guitar playing. After "Fire" Jimi dedicates "I Don't Live Today" to the American Indian. The intro of "Hey Joe" draws a big cheer from the audience. A fairly compact (less than 5 minutes) version of "Stone Free" shows up later in the set. Jimi thanks the crowd for showing up prior to "Voodoo Child (Slight Return)". This spirited version includes a few teases of "Cat's Squirrel" toward the end. This is an average sounding audience recording.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1970.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🌹 Returning to the Record Plant Hendrix begins experimenting with different backward guitar effects. This session also saw additional work on “Burning Desire” but with little noticeable advancement on finalizing a basic track.</span></div>
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<br style="background-color: #fefefe; color: #212121; font-family: roboto, robotodraft, helvetica, arial, sans-serif; font-size: 14px; white-space: pre-wrap;" /></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1998.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🌹 Gone To Rock & Roll Heaven: Carl Perkins.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">2007.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🌹 Gone To Rock & Roll Heaven: Denny Doherty - the angelic voice that carried the '60s folk-pop group the Mamas and the Papas through such memorable hits as "California Dreamin' " and "Monday, Monday".</span><br />
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-50891219543802861412023-01-18T15:41:00.001+02:002023-02-10T22:22:03.860+02:00🌟 January, 18<div dir="ltr" style="text-align: left;" trbidi="on"><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1967.</span></div><div style="text-align: justify;"><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">♻️️ The Jimi Hendrix Experience perform “Hey Joe” at Lime Grove Studios in Shepherd’s Bush for the BBC’s Top Of The Pops show. The performance included Hendrix singing over an instrumental backing track to meet regulations of the British Musicians’ Union. London W12, BBC Lime Grove Studios, Lime Grove - Interview for unknown paper; TV rehearsals and tele-recording for the 'Top Of The Pops' edition of 19 January. The JHE started with rehearsals at 17.00 and later that evening they recorded a live version of "Hey Joe" (3:55 or 3:20). TOTP chart position for "Hey Joe": 13. The Experience were introduced by DJ Alan Freeman. JHE fee: £78.75. The JHE occupied dressing room number 59. No known recording or film survives, or even any known photographs from this session!</span></div><div style="text-align: justify;"><br style="background-color: #fefefe; color: #212121; font-family: roboto, robotodraft, helvetica, arial, sans-serif; font-size: 14px; white-space: pre-wrap;" /></div><div style="text-align: justify;"><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">♻️️ The Jimi Hendrix Experience perform at 7 1/2 Club ending their three-night engagement at the popular nightspot. Concert 60 minutes. Jimi is interviewed by David Frost.</span></div><div style="text-align: justify;"><br style="background-color: #fefefe; color: #212121; font-family: roboto, robotodraft, helvetica, arial, sans-serif; font-size: 14px; white-space: pre-wrap;" /></div><div style="text-align: justify;"><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1968.</span></div><div style="text-align: justify;"><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">♻️️ Milton Keynes, Marshall Amplification, Lyon Road, Bletchley, Buckinghamshire, UK Neville Chesters (JHE road manager): “Went off to Marshall’s at Bletchley, took all amps and speakers for checking… Stayed at Marshall’s til about 5:30. Got all gear fixed.”</span></div><div style="text-align: justify;"><br style="background-color: #fefefe; color: #212121; font-family: roboto, robotodraft, helvetica, arial, sans-serif; font-size: 14px; white-space: pre-wrap;" /></div><div style="text-align: justify;"><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">♻️️ A mystery exists about the post's photos.</span></div><div style="text-align: justify;"><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">On September 12, 2012 a blogger named Ben Valkhoff published the following post:</span><br /><a href="http://picturesofjimi.blogspot.gr/2012/09/ripping-epaulettes.html"><span style="font-family: "verdana" , sans-serif;">http://picturesofjimi.blogspot.gr/2012/09/ripping-epaulettes.html</span></a></div><div style="text-align: justify;"><span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;"></span></div><div style="text-align: justify;"><div style="text-align: center;"><img alt="Φωτογραφία: " height="510" src="https://lh3.googleusercontent.com/MCrP4sul18qD7XJTlPrFAS398AYD4MNnpeJdC8Iu9Uaji40kqZFs2xOWMbf3-NTwEfo-SimMz6e1R-HlfuS0fWir2Rj6L31dzQ=w276-h220-rw" width="640" /></div></div><div><br /></div></div>Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-78429024967536331192023-01-17T00:00:00.000+02:002023-01-17T14:00:17.600+02:00🌰 January, 17<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1967.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🌺 The Jimi Hendrix Experience reportedly prepare recordings for Radio Luxembourg’s Ready Steady Radio! program at Tiles in London. The session never airs.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🌺 London W1, Tiles Club, 79-89 Oxford Street - Live Radio Luxembourg radio show for Ready, Steady, Radio! (between 19:00 and 23:30). </span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🌺 It appears that the show was not transmitted. The JHE ran up a bar bill of £2.25 which they couldn't pay. </span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🌺 Noel Redding: We were virtually broke... After a British radio appearance on January 17, we ran up a bar bill of £2.25; even pooling our money we couldn't pay it.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🌺 London W1, Seven And A Half Club – Concert (60 minutes).</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1968.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🌺 Jimi with roadie Gerry Stickells and Chas Chandler fly from Torslanda Airport, Göteborg, Sweden, to London Heathrow Airport, Middlesex, England.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1969.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🌺 Jarhunderthalle Frankfurt, Germany. Two Shows with Eire Apparent.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">As there are lots of soldiers in the audience, Jimi includes snippets of “Reveille” and the “Last Post” during the performance. Jimi starts by explaining to the audience that much of the show will be "free-jam" oriented. A high-energy "Come On" starts things off right. Even Hendrix says it was "outtasight". Later in the set is an almost 11 minute "Red House" from the "first English LP". A tasty wah-wah segment caps off a very pretty "Little Wing". Jimi reminds the crowd that the JHE does not play Cream's "Sunshine of Your Love" "BETTER than them......we dig the group and we dig the cats". Interestingly this version ends with an instrumental flourish and feedback rather than the usual way the band ended it. Before "Hey Joe" Jimi introduces Mitch Mitchell, Noel Redding and himself on "backward tapes". "Purple Haze" begins immediately on the heels of "Hey Joe". </span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">1970.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🌺 Record Plant, NYC. A Mixing session with Eddie Kramer.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">🌺 Late January (17th-25th) date unknown:</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Mike Jeffrey tells Hendrix to fire Buddy Miles and re form the Experience</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif; font-size: 14px; white-space: pre-wrap;">Bob Levine: "There was rage in Jeffrey's eyes. He faced Hendrix down and thrust his contract at him, imploring him to tear it up. This wasn't the first time he had threatened to walk or all of Hendrix talk of changing management, he never took Jeffrey up on his offer. Privately Hendrix would say, "The devil you know is better than the devil you don't".</span></div>
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-77891333698152213862023-01-16T15:39:00.000+02:002023-01-16T21:06:05.862+02:00🎊 January, 16<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">1967.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">🎨 The Jimi Hendrix Experience perform at 7 1/2 Club.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">1968.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">🎨 Municipal Court house, Göteborg; Court case between 15:30 to 17:00 against Jimi Hendrix regarding the incident on 4 January. After a brief counselling, the judge established Hendrix’ fines at 80 days of salary times 40 crowns, and had his travel prohibition withdrawn. The repair of the damages costed the hotel 5,718 crowns. The party thus costed Jimi 8,918 crowns (at that time approximately UK £475). Jimi left the City Hall after signing a check for the remaining of the fines (he had already deposited 8,000 crowns at the hotel).</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">🎨 London, Sound City, 22 Rupert Street, UK</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">Neville Chesters (JHE road manager): “Called at Sound City to see about new speakers... Went to see Mitch. We both went to Drum City, collected some new cymbals, went back to Mitch.”</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">🎨 Jimi Hendrix and Gerry Stickells stay one last night at the Esso Motor Hotel, Göteborg. </span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">🎨 Noel travels by train to Folkestone.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">1969.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">🎨 Meistersingerhalle Nuremburg, Germany Two Shows. The Jimi Hendrix Experience perform with Eire Apparent.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">🎨 1st show: Introduction, "Come On (pt.1)", "I Don't Live Today", "Hey Joe", "Fire", "Red House", "Foxy Lady", "Purple Haze", "Voodoo Child (Slight Return)"</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">Time-56:49.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">Jimi introduces Mitch, Noel and himself before heading into a lively "Come On (pt.1)". Next up Jimi dedicates "I Don't Live Today" to the American Indian and the audience. This 7+ minute version includes some intense guitar coupled with melodic soloing. A very nicely-played 14 minute "Red House" shows up later in the set. "Purple Haze" is played without the "sound painting" or "Star Spangled Banner" intro. Jimi thanks the crowd for showing up before diving into a 6:50 version of "Voodoo Child (Slight Return)". Jimi and the band seem to be in good spirits throughout this concert.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">For a 1969 audience tape, the sound is pretty decent on this show. Jimi's guitar is very prominent in the mix.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">🎨 2nd show: Introduction, "Fire", "Hey Joe", "Spanish Castle Magic", "Red House" (incomplete), "Foxy Lady", "Sunshine of Your Love", "Little Wing" ,"Voodoo Child (Slight Return)", "All Along the Watchtower", "Purple Haze"</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">Time-60:00.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">After an intro/tuning segment the JHE busts into an energetic "Fire". "Hey Joe" is introduced as having been recorded in 1733. Jimi mentions his "pookie bear" in "Red House". Sadly, the song cuts out around 4:25. Later in the set the JHE plays a rare (for 1969) "Little Wing". Up next Jimi seems to start "Hear My Train A Comin'" but instead opts for "Voodoo Child (Slight Return)". Following audience chants for "WATCHTOWER!!" Jimi decides to play the Dylan track. This is one of only 2 known live versions played by the original JHE. "Purple Haze" brings an end to the proceedings.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">This audience tape is below average in terms of sound quality.</span></div>
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<span style="background-color: #fefefe; color: #2962ff; font-family: "verdana" , sans-serif; font-size: 14px; text-decoration: none; white-space: pre-wrap;"><a class="ot-anchor aaTEdf" dir="ltr" href="https://youtu.be/m8BWpBj1wqo?list=RDm8BWpBj1wqo" jslog="10929; track:click" rel="nofollow" style="background-color: #fefefe; color: #2962ff; font-size: 14px; text-decoration: none; white-space: pre-wrap;" target="_blank">https://youtu.be/m8BWpBj1wqo?list=RDm8BWpBj1wqo</a></span><br />
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<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/m8BWpBj1wqo/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/m8BWpBj1wqo?feature=player_embedded" width="320"></iframe></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">1970.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">🎨 Juggy Sound, New York Studio Recording Record Plant, New York Studio Recording Send My Love To Linda Power Of Soul Burning Desire Jimi began the evening with Eddie Kramer at Juggy Sound. The two continued in their effort to craft a live album from the four Fillmore East performances. In the early morning hours following the mixing session, Hendrix traveled to the Record Plant to join forces with Cox and Miles for a series of promising demo recordings. Jimi efforts yielded a rough sketch of “Send My Love To Linda” which progressed into a lively, extended jam. Additionally, twelve takes of “Paper Airplanes” (which would evolve as “Power Of Soul”) and five takes of “Burning Desire” were also put to tape.</span></div>
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-13820953592322730122023-01-15T15:39:00.000+02:002023-01-16T21:04:45.420+02:00🔆 January, 15<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">1967.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">🍹 The JHE left Nottingham at 12:30, they met Gerry Stickells in a cafe and arrived at the venue for the next concert at 16:30.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">🍹 The Jimi Hendrix Experience perform at The Country Club.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">Kirklevington, "Country Club", Yorkshire - Concert (60 minutes). Support: The Real McCoy After the concert the JHE went back to Chas Chandler's house in Newcastle where they stayed up drinking all night.</span><br />
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">1968.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">🍹 Jimi Hendrix and Gerry Stickells stay at the Esso Motor Hotel, Göteborg. Jimi reports at the ‘Report Room’ of the Gothenburg police station at 14.00 hours.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">🍹 The second Experience album, Axis: Bold As Love, (Reprise Records, RS 6281) is released in America.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">🍹 Police document – dated 15 January – of Jimi reporting at the police station. </span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">Translation:</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">Top left: Gothenburg municipal court, eighth division, squad 34</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">Top right: Certificate of service </span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">Certificate no. "205 63/1968"</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">Table cells: Notes, see back.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">Day of hearing: "16/1"</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">Summons to be reported at the latest: "15/1"</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">Title/profession/full name and address for the person for the person served:</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">"The American citizen James Marshall Hendrix, Berkeley Street, London W."</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">Court notes: "Born 27/11 -42. H. has been served with travel prohibition. Obliged to report at 14 hours every day. Report room at the police station."</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">Received and accepted: Jimi's signature (signature of receiver)</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">The document was delivered to the recipient in person on: "15/1 1968" (signature of deliverer)</span><br />
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">1969.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">🍹 Munsterlandhalle Munster, Germany With Eire Apparent. 2nd show.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMhhqW8fqRlmWjEos-BLiZJPRnsGi5uwYCqn4G8bpGQ_6mAZZXXHIGBrWaBkC91oEUUiUDDUpXHdbN7njAv7-DHpJM42zVVIOiyABGSC72MFR1rJhh7WLL9OyBHoXRoW9iuX71HI6kzfM/s1600/7e10118c885444a458b58f10f92e2712.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: center;"><img border="0" data-original-height="500" data-original-width="356" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMhhqW8fqRlmWjEos-BLiZJPRnsGi5uwYCqn4G8bpGQ_6mAZZXXHIGBrWaBkC91oEUUiUDDUpXHdbN7njAv7-DHpJM42zVVIOiyABGSC72MFR1rJhh7WLL9OyBHoXRoW9iuX71HI6kzfM/s320/7e10118c885444a458b58f10f92e2712.jpg" width="227" /></a><a href="https://lh3.googleusercontent.com/pmwrUSkS7JFWGMrkBPLkKs-P-ZdfUc_yh_mn4RNy-ZPFrfJ4fMshYCWF0eC2ZPP2dS48CF4QGtjT7AYOM7-5nveiwo-OcY6zFQ=w157-h220-rw" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">🍹 The concert poster was designed by renowned German concert poster artist Gunther Kieser and was printed in two different sizes; the larger 32x48" poster which was primarily displayed on bus shelters and on street walls and the smaller size, which were hung in stores, local establishments and pasted on telephone poles. Poster features image of Hendrix set against psychedelic-colored bkg. w/additional collage elements of various wires and metal plugs set amongst his hair, creating a truly unique image of him.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">🍹 Jimi said: “I was schooled by radio and records. My teachers were common sense and imagination.” - Die Welt, January 15 1969.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">1970.</span></div>
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<span style="background-color: #fefefe; color: #212121; font-family: "verdana" , sans-serif; font-size: 14px; white-space: pre-wrap;">🍹 Juggy Sound, New York Studio Recording Mixing sessions for what would become Band Of Gypsys continue at Juggy Sound, the midtown Manhattan recording facility owned by Sue Records chief Juggy Murray.</span></div>
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-5238526886297757142023-01-14T15:38:00.000+02:002023-01-14T21:46:34.558+02:00🎩 January, 14 <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "verdana" , sans-serif;">Nottingham, ‘Beachcomber Club’, Lace Market, Nottinghamshire, England. Concert (60 minutes) <br />Support: Jimmy Cliff And Shakedown Sound. </span><span id="docs-internal-guid-4a8ff6d0-4c89-e60f-0942-94095b7f55f6"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;"><br /></span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO5GwcW9Xt_8tQ22KAak7XoYHA-tNzZ97ZIwOfijPFNOEuFkZkfR6DcaZJ8K2VYiBBIUx2jlAtyoivvJwCx51ZOfFEedJq8OjYAC_K38EGvBAWHfidk_V56Rl6a69fkDFgw1lmZVxWG60/s1600/14-1ad061.jpg" imageanchor="1" style="font-family: "Times New Roman"; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="208" data-original-width="297" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO5GwcW9Xt_8tQ22KAak7XoYHA-tNzZ97ZIwOfijPFNOEuFkZkfR6DcaZJ8K2VYiBBIUx2jlAtyoivvJwCx51ZOfFEedJq8OjYAC_K38EGvBAWHfidk_V56Rl6a69fkDFgw1lmZVxWG60/s1600/14-1ad061.jpg" /></a></div>
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<span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪</span><span style="font-family: "verdana" , sans-serif;"> <b>Kathy</b>: “Once we arrived in a new town we would have to find ourselves a hotel, as it would not be pre-booked or arranged on our behalf. In Nottingham we ended up in a dowdy old inn called The Blackboy Hotel, which Jimi couldn’t believe. “I ain’t staying no place called The Blackboy,” he protested, but there was no choice. He didn’t really care. He thought it was quite amusing. “Where do you English get these names from? You couldn’t call a hotel The Blackboy in The States.” [‘Through Gypsy Eyes’ by Kathy Etchingham]</span><br />
<span style="font-family: "verdana" , sans-serif;"><br /></span><span id="docs-internal-guid-4a8ff6d0-4c85-4c72-dfea-8a0256317a1f"><span style="background-color: white; font-family: "verdana"; font-size: 10.5pt; vertical-align: baseline; white-space: pre-wrap;">🎩 </span></span><span style="font-family: "verdana" , sans-serif;"><b>1968</b>.</span><span id="docs-internal-guid-4a8ff6d0-4c89-e60f-0942-94095b7f55f6"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪</span></span><span style="font-family: "verdana" , sans-serif;"> Jimi and Gerry Stickells stay at the Esso Motor Hotel, Göteborg. Jimi reports at the ‘Report Room’ of the Gothenburg police station at 14.00 hours.</span><br />
<span style="font-family: "verdana" , sans-serif;"><br /></span><span id="docs-internal-guid-4a8ff6d0-4c89-e60f-0942-94095b7f55f6"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪ </span></span><span style="font-family: "verdana" , sans-serif;">Lyrics written in the Esso Motor Hotel, finished 14 January 1968. "Catherina" could refer to a girl Jimi met in Gothenburg.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEOylHepG_z0xCL4JI8xtD3i_OhcVfYfxbT9HhXUjCeSbWmfbWg2eWu4qf6JRlPQgmySmuPGqMNg2T-rqNi7P8T8y7JzxTu_RlAxZad8i9IZDEsKM0-AG2qeMArRTS9s36gElk9x-zg4w/s1600/123.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="552" data-original-width="444" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEOylHepG_z0xCL4JI8xtD3i_OhcVfYfxbT9HhXUjCeSbWmfbWg2eWu4qf6JRlPQgmySmuPGqMNg2T-rqNi7P8T8y7JzxTu_RlAxZad8i9IZDEsKM0-AG2qeMArRTS9s36gElk9x-zg4w/s400/123.jpg" width="321" /></a></div>
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<span style="font-family: "verdana" , sans-serif;"><br /></span><span id="docs-internal-guid-4a8ff6d0-4c89-e60f-0942-94095b7f55f6"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪</span></span><span style="font-family: "verdana" , sans-serif;"> 'The day after the incident, he told Aftonbladet he has a girlfriend in Gothenburg - tall with blond hair. “The first real girl I’ve met in my whole life.” She lives in Gothenburg, but he’s extremely meticulous about not mentioning her name.’ (Aftonbladet, 17 January 1968)</span><br />
<span style="font-family: "verdana" , sans-serif;"><br /></span><span id="docs-internal-guid-4a8ff6d0-4c85-4c72-dfea-8a0256317a1f"><span style="background-color: white; font-family: "verdana"; font-size: 10.5pt; vertical-align: baseline; white-space: pre-wrap;">🎩 </span></span><span style="font-family: "verdana" , sans-serif;"><b>1969</b>.<br />Munsterlandhalle Munster, Germany With Eire Apparent. The set list includes. Red House Fire Foxey Lady All Along The Watchtower Hey Joe Voodoo Child (Slight Return) Purple Haze</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPIVNYskNyzLzgr9ifXeN__zIzREu4jSL_FN6ubbWqPmQ6rAylykc_hPbAGncPWDJlsWagVxu0C-QvQn-W2po4-70vZbd3LoSvUYG2lv-efdEL_5BZaHQk7CS1rGKN8CqXUYISYfmABRo/s1600/11469.jpg" imageanchor="1" style="font-family: "Times New Roman"; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="409" data-original-width="500" height="163" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPIVNYskNyzLzgr9ifXeN__zIzREu4jSL_FN6ubbWqPmQ6rAylykc_hPbAGncPWDJlsWagVxu0C-QvQn-W2po4-70vZbd3LoSvUYG2lv-efdEL_5BZaHQk7CS1rGKN8CqXUYISYfmABRo/s200/11469.jpg" width="200" /></a></div>
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<span style="font-family: "verdana" , sans-serif;"><br /></span><span id="docs-internal-guid-4a8ff6d0-4c85-4c72-dfea-8a0256317a1f"><span style="background-color: white; font-family: "verdana"; font-size: 10.5pt; vertical-align: baseline; white-space: pre-wrap;">🎩 </span></span><span style="font-family: "verdana" , sans-serif;"><b>1970</b>.<br />Juggy Sound, New York Studio Recording. Jimi and engineer Eddie Kramer begin sifting through the multi-track recordings made of the Band Of Gypsys live performances at the Fillmore East.</span><br />
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-8761452362192013712023-01-13T15:38:00.000+02:002023-01-14T21:45:27.166+02:00💣 January, 13<div dir="ltr" style="text-align: left;" trbidi="on">
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<span id="docs-internal-guid-4a8ff6d0-4714-7f26-e174-1d3963b9d691"><span style="background-color: white; font-family: "verdana"; font-size: 10.5pt; vertical-align: baseline; white-space: pre-wrap;">💣 </span></span><span face=""verdana" , sans-serif"><b>1967</b>.</span></div>
<span face=""verdana" , sans-serif">The Experience perform at the 7 1/2 Club.<br /><br /><b>Noel</b>: We were doing clubs like the Seven And A Half for £7.<br /><br /><b>UK NEW MUSICAL EXPRESS</b><br />Hendrix is a one-man guitar explosion, with a stage act that leaves those who think pop has gone pretty with their mouths hanging open. What this man does to a guitar could get him arrested for assault. <br />This is the story of his life in his own words: <br /><br /><b>Jimi</b>: <i>‘Bored to death at 16 i joined the Army Airborne. A little less than a year of screaming ‘AHHHhh!’ and ‘i’m falllllliiing’ all the time, so i squeezed my way out by breaking my ankle and hurting my back. Then i tried being serious with my first love — music.<br /><br />One of The Isley Brothers heard me playing in a club and said he had a job open. Sleeping between them tall tenements was hell — rats running across your chest, cockroaches stealing your last candybar — so i figured, ‘Yeah, i’ll gig.’<br /><br />But i got tired of playing in the key of F all the time and turned in my white mohair silk suit and patent leather shoes.<br /><br />A tour came through town with BB King, Sam Cooke, Chuck Jackson, Solomon Burke, Jackie Wilson and Hank Ballard. I learned an awful lot when i got a job guitar-picking behind all those names every night. <br /><br />In Atlanta i auditioned with Little Richard, copped the gig and worked with him all over the US, finally landing in Los Angeles and playing more gigs with Ike & Tina Turner.<br /><br />I quit Little Richard because of a money misunderstanding and to rest. But who can rest in New York? I got a job with another band. I had all these ideas and sounds in my brain and playing this ‘other people’s music’ all the time was hurting me. I jumped from the frying pan into the fire when i joined up with Joey Dee & The Starlighters. Mind you, this is an out of sight group, but..?!?! <br /><br />After sucking on a peppermint twist salary i had to quit, and begin playing with a jukebox band, and finally quit that too, with nothing but a ‘wish’ sandwich (two pieces of bread — wishing I had some meat between). <br /><br />Finally i formed up with three other guys under the name of The Blue Flame (no connection). I was living off sympathy until my English friend appeared from nowhere and persuaded Chas Chandler of The Animals to come down to where i was gigging and give an ear. <br /><br />We came here to England, picked out two of the best musicians — Noel Redding from The Loving Kind for bass and Mitch Mitchell, an ex-Blue Flame, on drums — and formed The Jimi Hendrix Experience. <br /><br />Now i’m going to make certain i don’t fluff it all up!’”</i></span><br />
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<span face=""verdana" , sans-serif"><i><br /></i></span><span style="background-color: white; font-family: "verdana"; font-size: 14px; white-space: pre-wrap;">💣 </span><span face=""verdana" , sans-serif"><b>1968</b>.<br />Jimi and Gerry Stickells stay at the Esso Motor Hotel, Göteborg. Jimi reports at the ‘Report Room’ of the Gothenburg police station at 14.00 hours.</span><br />
<span face=""verdana" , sans-serif"><br /></span><span style="background-color: white; font-family: "verdana"; font-size: 14px; white-space: pre-wrap;">💣 </span><span face=""verdana" , sans-serif"><b>1969</b>.</span><br />
<span id="docs-internal-guid-4a8ff6d0-471b-7c0d-12ab-58fbbe0471c9"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪ </span></span><span face=""verdana" , sans-serif">Studio Dumont Koln, Germany Two Shows with Eire Apparent. </span><br />
<span face=""verdana" , sans-serif">Jimi attended an autograph session at Studio Du Monde Book & Record Shop. Part of the event was filmed and later featured as part of the German television program Beat Club.</span><br />
<span face=""verdana" , sans-serif"><br /></span><span id="docs-internal-guid-4a8ff6d0-471b-7c0d-12ab-58fbbe0471c9"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪ </span></span><span face=""verdana" , sans-serif">Köln, unknown club, West Germany<br /><b>Monika Dannemann</b>: “We went to a club at Noel’s request, and they jammed for some time, Noel playing lead guitar and Jimi bass. Afterwards, we were enjoying a Chinese meal when an old flower-lady passed through the restaurant carrying a basket full of flowers. Jimi called her over, bought a bunch of red roses and handed them to me, whispering in my ear ‘They’re for you - a symbol of my love...”</span><br />
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-11161015645672648912023-01-12T15:37:00.001+02:002023-01-12T15:53:42.132+02:00🍎 January, 12<div dir="ltr" style="text-align: left;" trbidi="on">
<span face=""verdana" , sans-serif"><br /></span><span id="docs-internal-guid-4a8ff6d0-46e2-2e62-cb18-42eb63fa2357"><span style="background-color: white; font-family: "verdana"; font-size: 10.5pt; vertical-align: baseline; white-space: pre-wrap;">🍎 </span></span><span face=""verdana" , sans-serif"><b>1967</b>.</span><br />
<span id="docs-internal-guid-4a8ff6d0-46e2-abb8-7e97-7d08f599dce1"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪</span></span><span face=""verdana" , sans-serif"> The Experience perform at the 7 1/2 Club, which marks the club’s opening night of performances. Concert - opening night of this small, but up-market, club. 1st in a short ‘showcase' residency - (60 minutes) at 01:00. Noel was probably using Chas’ four-string Gibson EB2 bass.<br /><br /><b>Marianne Faithful</b>: "I saw Jimi at the Seven and a Half Club because Mick (Jagger) told me about him. He said he had seen Jimi in New York and it took his breath away. He was very awkward. He sang with his back to the stage or into his guitar and mumbled so badly. I sat in this tiny basement club for hours and watched him play. A Tantric vision in fashionable crushed velvet pants and ruffled shirt. He hadn't gotten his persona together - he wasn't yet the Voodoo Chile, you could see he was painfully shy. Once he began playing, he transformed. The music was sexually charged and direct. I had the feeling he was playing just for me. The place was completely empty that it was probably true. I'm such a fool. I should have hung around and seduced him but typically, I ran away".</span><br />
<span face=""verdana" , sans-serif"><br /></span><span id="docs-internal-guid-4a8ff6d0-46e2-2e62-cb18-42eb63fa2357"><span style="background-color: white; font-family: "verdana"; font-size: 10.5pt; vertical-align: baseline; white-space: pre-wrap;">🍎 </span></span><span face=""verdana" , sans-serif"><b>1968</b>.<br />Jimi and Gerry Stickells stay at the Esso Motor Hotel, Göteborg. Jimi reports at the ‘Report Room’ of the Gothenburg police station at 14.00 hours.</span><br />
<span face=""verdana" , sans-serif"><br /></span><span id="docs-internal-guid-4a8ff6d0-46e2-2e62-cb18-42eb63fa2357"><span style="background-color: white; font-family: "verdana"; font-size: 10.5pt; vertical-align: baseline; white-space: pre-wrap;">🍎 </span></span><span face=""verdana" , sans-serif"><b>1969</b>.<br />Rheinhalle Dusseldorf, Germany. </span><br />
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<span face=""verdana" , sans-serif">Two Shows with Eire Apparent at 17:00 and 20:00</span><br />
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<span face=""verdana" , sans-serif">Support: Eire Apparent. </span></div>
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<span face=""verdana" , sans-serif">Audience: 1st show ~ 1,000. 2nd show - 2,000 (sold out). </span></div>
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<span face=""verdana" , sans-serif">2nd show attended by Monika Dannemann and her younger brother Klaus. Accommodation: The Park Hotel, Koenigs-Allee, Düsseldorf. At the Park Hotel, Jimi meets Monika Daneman, with whom he will spend his final hours.</span><br />
<span face=""verdana" , sans-serif"><br /></span><span id="docs-internal-guid-4a8ff6d0-46e2-2e62-cb18-42eb63fa2357"><span style="background-color: white; font-family: "verdana"; font-size: 10.5pt; vertical-align: baseline; white-space: pre-wrap;">🍎 </span></span><span face=""verdana" , sans-serif"><b>1970</b>.<br />Jimi and recording engineer Eddie Kramer began the task of deciding which songs to include on the new album “Band of Gypsys” (Cox and Miles did not participate in the process). </span></div>
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<span face=""verdana" , sans-serif">Early on, Jimi chose to include the Buddy Miles songs "Changes" and "We Gotta Live Together". </span><br />
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-67595421292156159332023-01-11T15:37:00.000+02:002023-01-11T22:36:29.553+02:00⛵ January, 11<div dir="ltr" style="text-align: left;" trbidi="on">
<span id="docs-internal-guid-4a8ff6d0-4222-93e4-d0c8-a2ba8ea09f5c"><span style="background-color: white; font-family: "verdana"; font-size: 10.5pt; vertical-align: baseline; white-space: pre-wrap;"><b>⛵ </b></span></span><span face=""verdana" , sans-serif"><b>1967.</b></span><br />
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<span id="docs-internal-guid-4a8ff6d0-4223-bc36-d771-a8e9861a71dc"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪</span></span><span face=""verdana" , sans-serif"> Looking to get something new to market following their debut “Hey Joe,” Chas Chandler brought The Experience to DeLane Lea Studios in London to commence work on their next songs. This session included the basic track for “Purple Haze,” which was recorded in merely four hours. Additional recordings including “The Wind Cries Mary,” “51st Anniversary,” “The Wind Cries Mary” and “Burning Of The Midnight Lamp” were also completed. Jimi later stated 'The Purple Haze,' was about a dream he had and that he was walking under the sea.</span></div>
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<span face=""verdana" , sans-serif"><span id="docs-internal-guid-4a8ff6d0-4223-bc36-d771-a8e9861a71dc"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪ </span></span><span face=""verdana" , sans-serif">After a day full of recording at DeLane Lea Studios, The Jimi Hendrix Experience performed two shows at the venerable Bag O’Nails. Hendrix continued to make waves in the local music scene, and whenever possible a large group of fellow musicians would attend The Experience’s shows. </span></span></div>
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<span face=""verdana" , sans-serif">In concert, Jimi sometimes substituted lyrics for comic effect; “scuse me while I kiss the sky” was rendered “scuse me while I kiss this guy” (while gesturing towards his drummer Mitch). A galaxy of stars flocked in to see the Experience perform: Paul McCartney, Ringo Starr, Bill Wyman, Pete Townshend, John Entwistle, Eric Clapton, Lulu, Donovan, Eric Burdon, Georgie Fame, Geno Washington and Denny Laine to mention just a few. </span></div>
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<span face=""verdana" , sans-serif"><span id="docs-internal-guid-4a8ff6d0-4223-bc36-d771-a8e9861a71dc"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪ </span></span><span face=""verdana" , sans-serif">Mike Ledgerwood in his review for Disc & Music Echo (21 January) concluded: ‘It was certainly a night to remember. Jimi did two spots of powerful, full-blooded blues which produced some amazing sounds and guitar gymnastics. He looks set to become one of the brightest stars of ’67.’ After the two sets, Roger Mayer met Jimi for the first time.</span></span></div>
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<span face=""verdana" , sans-serif" id="docs-internal-guid-4a8ff6d0-4223-bc36-d771-a8e9861a71dc" style="text-align: justify;"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪ </span></span><span face=""verdana" , sans-serif" style="text-align: justify;">Jimi signs to Track Records for three years, John Mayall drops in while the Experience record "Purple Haze" and "The Wind Cries Mary"</span><br />
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<span face=""verdana" , sans-serif"><b>Chas Chandler</b>: "Purple Haze took 4 hours to record, which at that time was a lot a of money"</span></div>
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<span face=""verdana" , sans-serif"><b>Mitch</b>: "Jimi came in and hummed a riff and showed Noel the chord changes. I listened to it and went, OK, Let's do it. We got it on the third take as I recall"</span></div>
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<b>Chas Chandler</b>: "Jimi and I were striving for a sound and just kept going back in 2 hours at a time, trying to achieve it. A lot of the background sound on Purple Haze is actually a recording being fed back into the studio through the earphones held around the microphone, moving them in and out to create a weird echo".</div>
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"The song 51st Anniversary is a good example of Jimi just sitting around the apartment, singing and playing his guitar. I would sit across from him and say, "That's good" or "Change it to something like this". These were pre-studio edits, if you like. Then we would go together with the band and rehearse the song"</div>
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<span face=""verdana" , sans-serif"><br /></span><span id="docs-internal-guid-4a8ff6d0-4222-93e4-d0c8-a2ba8ea09f5c"><span style="background-color: white; font-family: "verdana"; font-size: 10.5pt; vertical-align: baseline; white-space: pre-wrap;"><b>⛵ </b></span></span><span face=""verdana" , sans-serif"><b>1968.</b></span><br />
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<span id="docs-internal-guid-4a8ff6d0-4223-bc36-d771-a8e9861a71dc"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪</span></span><span face=""verdana" , sans-serif"> Jimi and Gerry Stickells stay at the Esso Motor Hotel, Göteborg. Jimi reports at the ‘Report Room’ of the Gothenburg police station at 14.00 hours.</span></div>
<span face=""verdana" , sans-serif"><br /></span><span id="docs-internal-guid-4a8ff6d0-4222-93e4-d0c8-a2ba8ea09f5c"><span style="background-color: white; font-family: "verdana"; font-size: 10.5pt; vertical-align: baseline; white-space: pre-wrap;"><b>⛵ </b></span></span><span face=""verdana" , sans-serif"><b>1969.</b></span><br />
<span face=""verdana" , sans-serif">Musikhalle Hamburg, Germany. Two Shows with Eire Apparent</span><br />
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<b style="font-family: Verdana; white-space: pre-wrap;">⛵ 1970.</b><br />
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-64091831089565349502023-01-10T15:35:00.001+02:002023-01-10T16:14:40.131+02:00🍀 January, 10<div dir="ltr" trbidi="on">
<span style="font-family: verdana;">🍀 1967. ↪ Jimi writes the lyrics to “The Wind Cries Mary” following an argument with live-in girlfriend Kathy Etchingham. "The Wind Cries Mary" is about her because her middle name is Mary and whenever Jimi wanted to make her angry he would call her by her middle name and she said that he wanted to call it the Wind Cries Kathy but thought that was too personal and according to her, the song was a result of a big fight they had. He hated her cooking and one day she made something like mashed potatoes and he took a bite and screamed, "WHEN will you learn to cook? This is horrible". She threw the plate of food across the room. He said, "What are you doing"? So, she throws a few more plates and is so angry that she leaves for a whole day. When she came back, he had written the song and he told her before he wrote it that he even had the song in his head and wanted to write it about her. (that's what he told her). Later he says, "The Wind Cries Mary is representing more than one woman"</span>
<span face=""verdana" , sans-serif"><br /></span><span style="font-family: verdana;"><span id="docs-internal-guid-4a8ff6d0-4209-c395-2cdb-06cdc6ecdd46"><span style="font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪</span></span><span face=""verdana" , sans-serif"> Interview by Nick Jones for the January 21st edition of Melody Maker.</span><br /></span>
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<span style="font-family: verdana;"><span face=""verdana" , sans-serif">Jimi and Gerry Stickells stay at the Esso Motor Hotel, Göteborg. Jimi reports at the “Report Room” of the Gothenburg police station at 14.00 hours.</span><br />
<span face=""verdana" , sans-serif"><br /></span><span id="docs-internal-guid-4a8ff6d0-4209-2715-b998-afd5365a07a6"><span style="background-color: white; font-size: 10.5pt; vertical-align: baseline; white-space: pre-wrap;">🍀 </span></span><span face=""verdana" , sans-serif">1969. </span></span></div>
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<span style="font-family: verdana;"><span face=""verdana" , sans-serif">Info from </span><a href="http://www.rockprophecy.com/">http://www.rockprophecy.com</a><span face=""verdana" , sans-serif">. “Miraculously, 15 of the 25 concerts have survived on recordings from those pre-cassette days with sound reproduction quality ranging from excellent to wretched. While it's true that the shows recorded during the first two nights are pretty bland, Jimi suddenly comes alive and sustains a groove of superhuman mania throughout a Copenhagen concert recorded on January 10, 1969. Of particular interest is the song Taxfree. At present, only nine live versions of the song have been collected, and the Copenhagen version is arguably the best. In addition to its complex flamenco-jazz movement, and viola sounding bow sustains, this Taxfree contains the very earliest recorded examples of two-handed tapping (later popularized by Eddie Van Halen - i.e. Eruption). Judging from the intensity of his improvisation, it seems probable that Jimi invented this liquid trilling technique right on the spot. The Copenhagen '69 recording also features an epic, spaced-out, rendition of I Don't Live Today, and a Purple Haze whose spine-tingling ending rivals the Woodstock version”. </span></span></div>
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<span style="font-family: verdana;"><span face=""verdana" , sans-serif">Mitch meets with Keith Emerson and Greg Lake “in the early part of January 1970, I was starting to get together the group Emerson Lake & Palmer. But before I got Carl Palmer on board, Mitch came around to Greg's place in London. Mitch was a great drummer, and obviously worth considering. He said he's like to be involved in what we were planning, and even went so far as to say that he could get Hendrix interested in joining us too. Of course it never happened. I think Greg was a bit relieved, because Mitch had been talking about security and bodyguards, which sounded a bit paranoid to us”.</span></span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><span face=""verdana" , sans-serif"></span><span id="docs-internal-guid-4a8ff6d0-4217-5c4a-6608-4a5560e0c740"></span><br />
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<span id="docs-internal-guid-4a8ff6d0-4217-5c4a-6608-4a5560e0c740"><span style="font-family: "verdana"; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;"><span style="background-color: white; font-size: 14px;">🍀 </span>Gone to Rock ‘n’ Roll Heaven</span></span></div>
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<span id="docs-internal-guid-4a8ff6d0-4217-5c4a-6608-4a5560e0c740" style="font-family: verdana;"><span style="background-color: white; font-size: 10.5pt; vertical-align: baseline; white-space: pre-wrap;">♡ </span><span face=""verdana" , sans-serif"><b>Howlin' Wolf </b>born as </span><span face=""verdana" , sans-serif">Chester Arthur Burnett (Jun 10, 1910 – Jan 10, 1976)</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2o7TnCXqdedT-SIKZqRUEDAddbqBssVNMqZ5PF2NyVDmVV7p3iLk38Nmy5PhEI1YBBpPssi-UcmpMyIySfjKTjRxICNNWgN_IvzcwhrOFnmtNvFzcBS6pZjVTKAGmq3ATpL9WVhqXaOM/s1600/The+Jimi+Hendrix+Experience%252C+Copenhagen+Denmark%252C+Jan+10th+1969.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2o7TnCXqdedT-SIKZqRUEDAddbqBssVNMqZ5PF2NyVDmVV7p3iLk38Nmy5PhEI1YBBpPssi-UcmpMyIySfjKTjRxICNNWgN_IvzcwhrOFnmtNvFzcBS6pZjVTKAGmq3ATpL9WVhqXaOM/w400-h400/The+Jimi+Hendrix+Experience%252C+Copenhagen+Denmark%252C+Jan+10th+1969.jpg" width="400" /></a></div>
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-32544858186608749612023-01-09T09:51:00.001+02:002023-01-09T21:34:16.398+02:00🎣 January, 09<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "verdana"; font-size: 11pt; white-space: pre-wrap;">🎣 </span><span face=""verdana" , sans-serif"><b>1967</b>. </span></div>
<span id="docs-internal-guid-44605614-3918-78f9-acf1-849a0a0f4d3d" style="text-align: justify;"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪</span></span><span face=""verdana" , sans-serif" style="text-align: justify;"> Jimi is interviewed at his flat on 34 Montagu Street in London by Keith Altham. The interview is published in New Musical Express on Feb 14.</span><span id="docs-internal-guid-44605614-3918-78f9-acf1-849a0a0f4d3d"></span><br />
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</span><span face=""verdana" , sans-serif"><br /></span><div style="text-align: justify;"><span face=""verdana" , sans-serif"><span id="docs-internal-guid-44605614-3918-78f9-acf1-849a0a0f4d3d"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪</span></span><span face=""verdana" , sans-serif"> Following his interview with Keith Altham, The Experience participate in a photo session at Seven And A Half Club, 5 Whitehorse Street, London W1. JHE photo call (20 shots). They were decorating the club, hence the tools (see photo).</span></span></div>
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</span><span face=""verdana" , sans-serif"><br /></span><span id="docs-internal-guid-44605614-3917-2ef6-ebdb-b23164acc2e3"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">🎣 </span></span><span face=""verdana" , sans-serif"><b>1968</b>.</span><br />
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<span id="docs-internal-guid-44605614-3918-78f9-acf1-849a0a0f4d3d"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪ </span></span><span face=""verdana" , sans-serif">Travelling from Copenhagen, Denmark, to Göteborg, Sweden. Accommodation: “Esso Motor Hotel,’ Göteborg.</span><br />
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<span face=""verdana" , sans-serif"><span id="docs-internal-guid-44605614-3918-78f9-acf1-849a0a0f4d3d"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪ </span></span><span face=""verdana" , sans-serif">Göteborg, police station - Jimi and Chas Chandler are being questioned regarding the “Hotel Opalen” incident on 4 January. Between now and 15 January, Jimi has to show his face each day at 14.00 hours at the ‘Report Room’ in the police station. Noel and Mitch return to England by boat at 16:30.</span></span></div>
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</span><span face=""verdana" , sans-serif"><br /></span><div style="text-align: justify;"><span face=""verdana" , sans-serif"><span id="docs-internal-guid-44605614-3918-78f9-acf1-849a0a0f4d3d"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪ </span></span><span face=""verdana" , sans-serif">That afternoon Jimi participated in a police investigation regarding the Hotel Opalen incident. He testified that he had only drunk three beers and two whiskies in all, and was convinced that his drinks were spiked. He immediately admitted his guilt to the charges and offered to pay for all damages. Jimi wasn't allowed to leave Gothenburg and was obliged to report each day, at 14.00 hours, to the Report Room at the police station in Gothenburg. Mitch and Noel could at last leave Sweden. Due to the extremely cold weather, Gothenburg's Torslanda Airport was closed, so they got the ferry later that day, while Jimi had to stay put in Gothenburg. Gerry Stickells kept him company at the Esso Motor Hotel. Source: Exp Over Sweden CD.</span></span></div>
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</span><span face=""verdana" , sans-serif"><br /></span><span id="docs-internal-guid-44605614-3917-2ef6-ebdb-b23164acc2e3"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">🎣 </span></span><span face=""verdana" , sans-serif"><b>1969</b>.</span><br />
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<span id="docs-internal-guid-44605614-3918-78f9-acf1-849a0a0f4d3d"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪ </span></span><span face=""verdana" , sans-serif">Konserthuset, Stockholm, Sweden. Two shows with Jethro Tull.</span></div>
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<span face=""verdana" , sans-serif"><br /></span><span id="docs-internal-guid-44605614-3918-78f9-acf1-849a0a0f4d3d"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪ </span></span><span face=""verdana" , sans-serif">That afternoon, Jimi gives an interview to Ulla Lundstrom. He also takes part in a press reception in the presence of the writers of Aftonbladet, Expressen, Bildjournalen, and Dagens Nyheter. </span></div>
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<span face=""verdana" , sans-serif"><br /></span><span id="docs-internal-guid-44605614-3918-78f9-acf1-849a0a0f4d3d"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪ </span></span><span face=""verdana" , sans-serif">Jimi announces that he will mostly jamming and off micro it states that anyway the public will not make the difference.</span></div>
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<span face=""verdana" , sans-serif"><br /></span><span id="docs-internal-guid-44605614-3918-78f9-acf1-849a0a0f4d3d"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪ </span></span><span face=""verdana" , sans-serif">The show was recorded on magnetic tape for television Swedish TV show.</span><br />
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<span face=""verdana" , sans-serif"><span id="docs-internal-guid-44605614-3918-78f9-acf1-849a0a0f4d3d"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪ </span></span><span face=""verdana" , sans-serif">By entering Jimi scene features a rose after his Fender guitar and dedication concert at the American Society Deserters and also to Eva Sundquist the young and pretty Swedish that sends him all the time the roses and Jimi has never seen … Eva Sundqvist and her mother attend the first show. After the second show Jimi and Eva go to the Hotel Carlton. That night Jimi Hendrix Jr. is conceived (James Daniel Sundquist).</span></span></div>
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</span><span face=""verdana" , sans-serif"><br /></span><span id="docs-internal-guid-44605614-3918-78f9-acf1-849a0a0f4d3d"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪ </span></span><span face=""verdana" , sans-serif">Stockholm, press reception, radio interview Lennart Wretlind</span><br />
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<span face=""verdana" , sans-serif"><b>Jimi (on radio in Stockholm)</b>: "I can't play guitar anymore the way I want to. I get very frustrated on stage when we play....Every time we come into town, everybody always looks towards us for some kind of answer, for what's happening to them and.....which is a very good feeling....but it's very hard".</span></div>
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<span id="docs-internal-guid-44605614-3917-2ef6-ebdb-b23164acc2e3"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">🎣 </span></span><span face=""verdana" , sans-serif"><b>1970</b>.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-8WkanOxBY4ecSxzwe88HT4ezTKOJZymGMCjuMMNliWqWOOKsG_DARfTNamtphTJaoBbYvQ_E5yNse21TawKG8oJp0SEs4Y3pNqZV68S_I6_V4X4G0Z4x0bTwgY2B_-v_jXT-upLKXGA/s1600/club-7-et-demi-1967_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="390" data-original-width="460" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-8WkanOxBY4ecSxzwe88HT4ezTKOJZymGMCjuMMNliWqWOOKsG_DARfTNamtphTJaoBbYvQ_E5yNse21TawKG8oJp0SEs4Y3pNqZV68S_I6_V4X4G0Z4x0bTwgY2B_-v_jXT-upLKXGA/s1600/club-7-et-demi-1967_n.jpg" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDb8qj7RGEoGhg4eDZDCV2_C48nMPv-BwoFV_RpyMS5HLHHHeRwvWsM6BVE73Mow98veagLH9MRV0X5ynqbG13nYTfjsq6RW6tjQaMcNUUWbWoOsIAZobO38BOsF5ICEv3tyJ63Scunug/s1600/Goteborg_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="406" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDb8qj7RGEoGhg4eDZDCV2_C48nMPv-BwoFV_RpyMS5HLHHHeRwvWsM6BVE73Mow98veagLH9MRV0X5ynqbG13nYTfjsq6RW6tjQaMcNUUWbWoOsIAZobO38BOsF5ICEv3tyJ63Scunug/s1600/Goteborg_.jpg" /></a></div>
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-23876904446676978412023-01-08T09:47:00.001+02:002023-01-09T00:21:09.018+02:00📌 January, 08<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "verdana"; font-size: 11pt; text-align: left; vertical-align: baseline; white-space: pre-wrap;">🉑 </span><span face=""verdana" , sans-serif" style="text-align: left;"><b>1967</b>. </span></div>
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<span face=""verdana" , sans-serif">The Experience perform at the Mojo A Go-Go’s Tollbar.</span></div><div><a href="http://univibes.com/JimiPlaysSheffield.html"><span style="color: #ff0066; font-size: medium;"><b>JIMI PLAYS SHEFFIELD</b></span><span style="color: #ff0066;"> (8 JANUARY 1967)<br /></span><span style="color: #ff0066; font-size: medium;">by Graham Oliver</span></a><br />
<span face=""verdana" , sans-serif"><br /></span><span style="font-family: "verdana"; font-size: 14.6667px; white-space: pre-wrap;">🉑 </span><span face=""verdana" , sans-serif"><b>1968</b>.</span><br />
<span id="docs-internal-guid-44605614-390c-350d-616e-ac7661b70ac5"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪</span></span><span face=""verdana" , sans-serif"> Flying from Copenhagen, Denmark, to Stockholm, Sweden.</span><span id="docs-internal-guid-44605614-390c-350d-616e-ac7661b70ac5"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪</span></span><span face=""verdana" , sans-serif"> Stockholm, Stora Salen Konserthuset, Sweden. This hall is where the Nobel prizes are given out. </span></div>
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<span face=""verdana" , sans-serif">Concert (two shows - 19.00 and 21.30).</span><span id="docs-internal-guid-44605614-390c-350d-616e-ac7661b70ac5"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪</span></span><span face=""verdana" , sans-serif"> While at the concert in Sweden, at Stora Salen, Konserthuset </span><b style="font-family: Verdana, sans-serif;">Jimi says</b><span face=""verdana" , sans-serif">: "I'd like to dedicate this show to Eva, who keeps sending roses, but we never seen her before. She's a Goddess from Asgard". (there is a reason for this)</span></div>
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<span face=""verdana" , sans-serif"><br /><b>Neville Chesters</b>: “1st quite good, 2nd great.”</span><br />
<span face=""verdana" , sans-serif"><br /></span><span id="docs-internal-guid-44605614-390c-350d-616e-ac7661b70ac5"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪</span></span><span face=""verdana" , sans-serif"> Stockholm - Radio interview with Jimi by <span face=""Helvetica Neue", Helvetica, Arial, sans-serif" style="background-color: white; color: #333333;">Lief Andersson</span> for the program ‘Pop 68 Special,’ transmitted on 14 January 1968 (between 18.30 and 19.30) on Sveriges Radio III.</span><span id="docs-internal-guid-44605614-390c-350d-616e-ac7661b70ac5"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪</span></span><span face=""verdana" , sans-serif"> Christian Stafström interviews Hendrix for an Aftonbladet story published January 9.</span><br />
<span face=""verdana" , sans-serif"><br /></span><span style="font-family: "verdana"; font-size: 14.6667px; white-space: pre-wrap;">🉑 </span><span face=""verdana" , sans-serif"><b>1969</b>. </span><br />
<span id="docs-internal-guid-44605614-390c-350d-616e-ac7661b70ac5"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪ </span></span><span face=""verdana" , sans-serif">The Gig at Lorensberg Cirkus, Gothenburg, Sweden</span></div>
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<span face=""verdana" , sans-serif"><b>Ingmar Gianzellius (Fan) said</b>: "Jimi played of his old several songs from his records, but in a completely different way. He transformed them into fragments, references and springboards. They are the platform from which he jumps into the world of total sound.....The guitar rarely sounds like a guitar, but instead like an organ, a choir, an electrical apparatus or a cello. He played the strings with his hands, his stomach and teeth".</span><span id="docs-internal-guid-44605614-390c-350d-616e-ac7661b70ac5"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪ </span></span><span face=""verdana" , sans-serif"><b>Chas Chandler</b>: "It was a dire concert. You could just see there was trouble with the band. There was friction, it wasn't together, it just didn't work.</span><br />
<span face=""verdana" , sans-serif"><br /></span><span id="docs-internal-guid-44605614-390c-350d-616e-ac7661b70ac5"><span style="font-family: "verdana"; font-size: 11pt; vertical-align: baseline; white-space: pre-wrap;">↪</span></span><span face=""verdana" , sans-serif"> <b>Gerry Stickells</b>: “Noel was getting frustrated because he wanted to play guitar. Since there were only a handful of us out on the road, he could talk to only so many people".</span><br />
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<span face=""verdana" , sans-serif"><span style="font-family: "verdana"; font-size: 14.6667px; white-space: pre-wrap;">🉑 </span><span face=""verdana" , sans-serif"><b>1970</b>. </span></span><br />
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<span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: #fefefe; color: #212121; font-size: 14px; white-space: pre-wrap;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT_W4tIbztcVMT3C9HEDR11k7HfIDScZquPdhDO1brmkJCdHfg-CHzkLw_I0_2HcqYzcliiQlul6arVYVSoAJjqASe_gCHrTLR5b-EWL1leARn-ZAGnBTwbKeJbiddjbood9UnQr990n7Iv23-veR7ZPnZQTHkl8x-wN6EgDNDz3b5zNrt4RqrM77z/s392/1968_01_08_affiche.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="392" data-original-width="283" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT_W4tIbztcVMT3C9HEDR11k7HfIDScZquPdhDO1brmkJCdHfg-CHzkLw_I0_2HcqYzcliiQlul6arVYVSoAJjqASe_gCHrTLR5b-EWL1leARn-ZAGnBTwbKeJbiddjbood9UnQr990n7Iv23-veR7ZPnZQTHkl8x-wN6EgDNDz3b5zNrt4RqrM77z/w462-h640/1968_01_08_affiche.jpg" width="462" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkn5JzEmChWrQoFbEo0ppw7xLzG-2B991HIGQgHn21u1uyzlCPOOZ90hlWLGy-fW6gRe7SnLxxcnXNDUWXEc6zZrblAys9bw2lWbIwbb1d6i02zt1Ln3p6XLVo4yt2DJPCSFmkvz4Uo6UV_Nh-C_yxR-osUR8vV1p5xhH_vBc3GYbzfV_-jS8zGPKZ/s320/ticket.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="320" data-original-width="225" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkn5JzEmChWrQoFbEo0ppw7xLzG-2B991HIGQgHn21u1uyzlCPOOZ90hlWLGy-fW6gRe7SnLxxcnXNDUWXEc6zZrblAys9bw2lWbIwbb1d6i02zt1Ln3p6XLVo4yt2DJPCSFmkvz4Uo6UV_Nh-C_yxR-osUR8vV1p5xhH_vBc3GYbzfV_-jS8zGPKZ/w450-h640/ticket.jpg" width="450" /></a></div><br /><br /><br /></div><br /></div><br /></span></div>
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0tag:blogger.com,1999:blog-2050165628183778871.post-46835742753604573332023-01-07T09:46:00.000+02:002023-01-07T14:54:55.815+02:00🌵 January, 07<div dir="ltr" style="text-align: left;" trbidi="on">
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<span id="docs-internal-guid-4a8ff6d0-3296-034f-1c00-80bb5f31ddae" style="text-align: left;"><span style="background-color: white; font-family: "verdana"; font-size: 10.5pt; vertical-align: baseline; white-space: pre-wrap;">🌵 </span></span><span face=""verdana" , sans-serif" style="text-align: left;"><b>1967</b>.</span></div>
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<span face=""verdana" , sans-serif">🎸 The Jimi Hendrix Experience perform at the New Century Hall located in Manchester. Opening support is by DJ Dave Eager & The Silverstone Set.</span></div>
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<span face=""verdana" , sans-serif">🎸 Following their performance at the New Century Hall, The Jimi Hendrix Experience visit the Twisted Wheel Club on Brazennose Street in Manchester.</span></div>
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<span id="docs-internal-guid-4a8ff6d0-3296-034f-1c00-80bb5f31ddae"><span style="background-color: white; font-family: "verdana"; font-size: 10.5pt; vertical-align: baseline; white-space: pre-wrap;">🌵 </span></span><span face=""verdana" , sans-serif"><b>1968</b>.</span><br />
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<span face=""verdana" , sans-serif">🎸 Neville Chesters: “Got up 7.30, very tired. After breakfast headed for Malmö, arrived 2.15, got on ferry 2.45. Arrived Tivoli at 4.30, set up gear.”</span></div>
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<div style="text-align: justify;">🎸Tivolis Koncertsal, 20 Tietgensgade, København, Denmark. Concert (two shows of 45 minutes each - 19.00 and 21.30). </div>
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<span face=""verdana" , sans-serif">Support: Defenders; Page One; Hansson & Karlsson. </span></div>
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<span face=""verdana" , sans-serif">Both shows sold out. Capacity: 3,500 people.</span></div>
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<span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: #fefefe; color: #212121; font-size: 14px; white-space: pre-wrap;"><span id="docs-internal-guid-4a8ff6d0-3296-034f-1c00-80bb5f31ddae" style="color: black; font-family: "times new roman"; font-size: small; white-space: normal;"><span style="background-color: white; font-family: "verdana"; font-size: 10.5pt; vertical-align: baseline; white-space: pre-wrap;">🌵 </span></span><span face=""verdana" , sans-serif" style="color: black; font-size: small; white-space: normal;"><b>1969</b>.</span></span><br />
<span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: #fefefe; color: #212121; font-size: 14px; white-space: pre-wrap;"><span face=""verdana" , sans-serif" style="color: black; font-size: small; white-space: normal;">No News...</span></span><br />
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<span face=""roboto" , "robotodraft" , "helvetica" , "arial" , sans-serif" style="background-color: #fefefe; color: #212121; font-size: 14px; white-space: pre-wrap;"><span id="docs-internal-guid-4a8ff6d0-3296-034f-1c00-80bb5f31ddae" style="color: black; font-family: "times new roman"; font-size: small; white-space: normal;"><span style="background-color: white; font-family: "verdana"; font-size: 10.5pt; vertical-align: baseline; white-space: pre-wrap;">🌵 </span></span><span face=""verdana" , sans-serif" style="color: black; font-size: small; white-space: normal;"><b>1970</b>.</span></span><br />
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Vasso Khttp://www.blogger.com/profile/04798656541860987401noreply@blogger.com0