Monday 30 April 2018

🚗 April, 30

🚗 1967.
> London SW7, Granada cinema, Mitcham Road, Tooting, England, JHE
Two shows at 18:00 and 20:30. The final show of the Walker Brothers tour.
Supporting The Walker Brothers, Cat Stevens and Engelbert Humperdinck
With: The Californians, The Quotations
Songs: unknown

Mitch: “Cat Stevens became a real snot, so on the matinee of the last show, when he was doing his hit ‘I’m Gonna Get Me A Gun’, I placed this mechanical robot, which I’d bought, on stage. It’s chest opened up and all these little machine guns started blazing away. He tried to kick it off stage, but the thing refused to die. He didn’t take the joke too well. Anyway I retrieved it and put it on stage for The Walkers, when Scott was singing, ‘My Ship Is Coming In.’ He took it a lot better.”

It is likely that Alec Byrne's photo series is April 30th
END OF THE FIRST ENGLISH TOUR
https://www.rockarchive.com/news/2017/jimi-hendrix-every-picture-tells-a-story#.WJj9vJ6fPuk.facebook

> Jimi and Chas Chandler are interviewed at their shared flat in London, by Ray Jones for the May edition of Beat Instrumental magazine.

🚗 1968.
Record Plant, NYC- studio recordings: Little Miss Strange

🚗 1969.
No News...

🚗 1970.
No News…

🚗 Gone to Rock ‘n’ Roll Heaven: McKinley Morganfield known as Muddy Waters
(4 Apr 1913 - 30 Apr 1983)






Sunday 29 April 2018

💫 April, 29


💫 1967.
Bournemouth, Winter Gardens, Exeter Road, Dorset, England. JHE
Two shows at 18:00 and 20:15.
Supporting The Walker Brothers, Cat Stevens and Engelbert Humperdinck
With: The Californians, The Quotations
Songs: unknown

When the tour coach approached the stage door a young girl running alongside with the fans had her foot run over by the coach and was taken to hospital.

Roger Mayer: “We were at The Speakeasy club in London one Friday until about six or seven in the morning. As I was leaving, I asked Jimi where he was going to be playing that night. He replied Bournemouth and asked if I was going to come along. I said no, I was going to miss it and that I would see him again at The Speakeasy later. About four that afternoon, I got a phone call from Jimi, “Where the hell are you?” I asked. “At the flat in London!” “What the hell are you doing there?” He said, “I’m a bit late for the gig tonight.” So I drove him to Bournemouth in my white midget MG hard top sports car. There was a crowd of people by the backstage door; I drove through them so that the passenger door was about six feet from the backstage entrance. Security came over and got Jimi inside. I didn’t park my car far enough away though - being white it was pretty distinctive - and after the gig, though Mitch was taking Jimi back, there was ‘I love Jimi’ in red lipstick all over it. The windscreen wipers were stolen, the petrol cap, the little nuts of the windows, all of this type of nonsense. I started her up and drove to the stage door, where Jimi asked me what happened. I said, ‘I don’t know. They’re your fans!’ We had to drive a few miles to a petrol station, without wipers to clear the lipstick smeared windscreen, and when we filled up, Jimi and I cleaned the lipstick off and drove on to The Speakeasy.”

💫 Record Plant, New York City.
17:15 – 19:30: 2 & 1/4 hours
Jimi - guitar, Mitch Mitchell - drums
Producer: Chas Chandler
Engineer: Eddie Kramer
Gypsy Eyes (41 takes, no master finished) - unreleased
Jimi: “Have you ever done this many takes before?”
Mitch: “Ha-ha-ha. One. Two. Three...”

💫 1969.
No News...

💫 1970.
No News…



Saturday 28 April 2018

🎸 April, 28


🎸 1967.
> Slough, Adelphi cinema, Bath Road, Buckinghamshire, England. JHE
Two shows at 18:40 and 20:50.
Supporting: The Walker Brothers, Cat Stevens and Engelbert Humperdinck
With: The Californians, The Quotations
Audience: 3,000
Songs: unknown

> London W1, UFO at The Blarney Club, 31 Tottenham Court Road, England
Jimi – bass, jammed with Tomorrow from 22:00 until dawn.
Songs: unknown

Hitweek by unknown: “Jimi sat at the front on the floor listening to ‘Tomorrow’s set. After the second song he stood up listening and after the third song he took away Junior’s bass and joined the group.”

🎸 1968.
Record Plant, New York City. Session details unknown. Noel & Mitch only: Little Miss Strange (overdubs & mixing)
Noel: “Finished mixing Little Miss Strange. Did nothing else.”

🎸 1969.
No News...

🎸 1970.
No News…








Friday 27 April 2018

🍯 April, 27


🍯 1967.
> Aldershot, ABC cinema, High Street, Hampshire, England. JHE
Two shows at 18:15 and 20:30.
Supporting: The Walker Brothers, Cat Stevens and Engelbert Humperdinck
With: The Californians, The Quotations
Songs: unknown

> The Jimi Hendrix Experience is interviewed by Steve Mann for a May 5 feature article in The Aldershot News.

🍯 1968.
No News...

🍯 1969.
Oakland Coliseum, Nimitz Freeway/Hegenberger Road, CA, USA. JHE
Concert at 21:30, probably sold out
Support: Cat Mother And The All Night Newsboys; Chicago Transit Authority
Tape: audience, 84:35 minutes, by Ken Koga.
Audience: ~ 16,000.

🍯 1970.
No News...





















Thursday 26 April 2018

🍓 April, 26


🍓 1967.
Cardiff, The Capitol cinema, Queens Street, Glamorgan, Wales. JHE
Two shows at 18:15 and 20:50.
Supporting: The Walker Brothers, Cat Stevens and Engelbert Humperdinck
With: The Californians, The Quotations
Songs: unknown

🍓 1968.
New York City, Record Plant, NY.
JHE are staying in Jimi’s home town, New York City. Session details unknown
Noel: “Did nothing.”

🍓 1969.
Los Angeles, The Forum, Inglewood, CA, USA. JHE
Rehearsal in the afternoon: songs unknown
Concert at 20:30, sold out.
Engineer: Abe Jacobs
Tape: stereo soundboard 83:00 minutes, excellent
Film : 5 minutes silent black and white 8mm
Support: Cat Mother And The All Night Newsboys and Chicago.
Audience: 18,000

Noel: “... an incredibly huge gig. So important that we even had a rehearsal and got there earlier that night. And it was a very good one - 1 hour and 45 minutes. Jeffery is there - it’s being recorded.”

🍓 1970.
'Cal Expo' Sacramento, California USA
Concert at 15:00
Tape: audience, 50:00 minutes, reasonable
Support: Buddy Miles Express and Blue Mountain Eagle
Promoter: Concerts West and Strongwinds
Audience: 17,000

Songs: Lover Man 💧 Spanish Castle Magic 💧 Freedom 💧 Machine Gun 💧 Foxy Lady 💧 Room Full Of Mirrors 💧 Ezy Rider 💧 Purple Haze 💧 The Star Spangled Banner 💧 Voodoo Child (Slight Return)
Details here: http://craigchaquico.com/jimi-plays-sacramento/


























Wednesday 25 April 2018

💦 April, 25


💦 1967.
Bristol, Colston Hall, Colston Str, Bristol, England, JHE

Two shows at 18:30 and 20:45.Supporting: The Walker Brothers, Cat Stevens and Engelbert Humperdinck
With: The Californians, The Quotations
Songs: unknown

Bristol Evening Post: “....The group’s music was weird, exciting and inventive, but it was too way out for the Walker fans.”

💦 1968.
𝟚𝟝🌼 Record Plant, New York City. Session details unknown

💦 1969.
No News...

💦 1970.
Los Angeles, The Forum, Inglewood, California, USA. JHE
Concert at 20:30. The ‘Cry Of Love’ tour (as Jimi called it)
Support: Buddy Miles Express and Ballin’ Jack
Audience: 20,000, sold out

Los Angeles Times:
“.....Wearing a multi-coloured head band and tight black leather pants, Jimi drew an enormous opening response from the audience as he went through such early hits as “Foxy Lady.” The newer material generated less enthusiasm. As always, Jimi was more a personality than a musician. Though his voice and lyrics have few distinguishing characteristics, he generates a charge of electricity that virtually ignites the huge arena. Jimi is a powerhouse of sex and sound. Hendrix does with his guitar what Joe Cocker does with his voice: reaches new levels of communication and emotion, levels far beyond that which most guitarists and vocalists once felt were possible. On Saturday, he seemed freer of gimmicks, more serious of purpose generally, than last spring at the Devonshire Downs Pop Festival in Northridge. Because of this, perhaps, the audience Saturday was less enthusiastic at times than at Devonshire Downs. But his bombing raid version of the ‘Star Spangled Banner’ and ‘Purple Haze’ brought the audience to its feet for an ovation that lasted several minutes.”